artPOP! Heavy Body Acrylic Paint - Olive Green, 120 ml Pouch
Heavy Body Acrylic
$7.99
Blick Art Materials · recorded Oct 22, 2026
Product details
- Size
- 120 ml
- Blick SKU
- 09407-7074
About this product range
- Incredible value for students and beginners
- Heavy-body, pigment-rich colors
- Smooth, thick texture
- Easy-to-dispense, squeezable tubes
- Dries to a durable, flexible satin finish
Create high-impact artwork with artPOP! Heavy Body Acrylic Paints and Sets. This range of heavy-body, pigment-rich colors offer great coverage on a wide range of surfaces. A smooth, thick texture holds brush and palette marks when dry. Every color in the line is fully intermixable and can be combined with acrylic mediums to achieve your desired viscosity and finish. Individual colors come in squeezable tubes that make it easy to dispense the precise amount of paint you need, cutting down on waste and keeping colors fresh. Waterbased colors dry to a durable, flexible, permanent satin finish and clean up easily with soap and water.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Yellow Iron Oxide
- Pigment code
- PY42
- Chemical name
- iron(III)-oxide, hydrated
- Chemical formula
- Fe2O3 • H2O
- Properties
- Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
- Permanence
- Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
- History
- Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
- Description
- Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Ochre, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.
Red Iron Oxide
- Pigment code
- PR101
- Type
- earth, synthetic
- Chemical name
- iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
- Chemical formula
- Fe2O2 or Fe2O3 x H2O
- Properties
- Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
- Permanence
- Red iron oxide is very lightfast with excellent permanence.
- Toxicity
- Red iron oxide has no significant hazards.
- History
- Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
- Description
- Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.
Phthalo Blue
- Pigment code
- PB15
- Type
- organic
- Chemical name
- copper phthalocyanine
- Chemical formula
- C32H16CuN8
- Properties
- Phthalo Blues are pure and clean primary blues with superior covering power. They have a very high tinting strength and tend to overwhelm other pigments, but if color strength can be controlled, they make predictable mixed colors. In oil form, blues are very deep and slow drying. When mixed with other colors or if chlorine is added, Phthalo Blue quickly tends towards green. When using alone, mix with some white, as Phthalo Blue can be semi-transparent and almost black on its own. It is among the most compatible of modern colors with mineral colors and is considered more reliable than Prussian Blue, while sharing the same physical and color properties. Phthalo Blue is a good color for glazing.
- Permanence
- Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
- Toxicity
- Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
- History
- Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
- Description
- Bocour Blue, Cyan Blue, Helio Blue, Heliogen Blue, Intense Blue, Monastral Blue, Phthalocyanine Blue, Rembrandt Blue, Thalo Blue, Winsor Blue, Phthalo Blue (RS).
Track this price
Loading your account…