Rembrandt Soft Pastel - Permanent Green Deep 619.9, Full Stick

Soft Pastel

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$4.44

Blick Art Materials · recorded 2026-10-21T06:54:12.726774000Z

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Product details
Blick SKU
20026-7391
About this product range
  • Professional quality
  • Pure pigments bound in fine kaolin clay
  • Smooth, intense color laydown
  • Firmer texture ideal for detail and layering
  • Clean, low-dust application
  • Full stick size: 2-3/4"L × 7/16"Dia

Rembrandt Soft Pastels have been made in the Netherlands since 1899 using pure, finely milled pigments and minimal amounts of kaolin clay as a binder. This low-binder formula keeps the colors clean and brilliant, while giving the sticks a soft, smooth texture that's just firm enough to give you control. You can blend easily, build up layers, or draw clean, sharp lines without the crumbling that sometimes happens with extra-soft pastels.

Completely free of heavy metals like cadmium, cobalt, and lead, every color is developed from its own unique formula to get the best possible color intensity and handling. The pigment and clay are mixed, then shaped through a small-scale extrusion process, which produces consistently sized, uniform sticks. Throughout the process, everything from pigment grind to final wrapping is tightly quality-controlled, resulting in professional-grade lightfastness and a premium feel and finish.

Full sticks are wrapped and sold individually or in sets. Half sticks measure 1-3/8"L × 7/16"Dia and are unwrapped, available only in sets.

__Color guide:__ Numbers like 205.3 refer to the color and tone. The decimal tells you how the color is adjusted—.2 and .3 mean it’s mixed with black, .5 is the full shade, and .7 through .12 are tints with increasing amounts of white.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Phthalo Blue

Pigment code
PB15
Type
organic
Chemical name
copper phthalocyanine
Chemical formula
C32H16CuN8
Properties
Phthalo Blues are pure and clean primary blues with superior covering power. They have a very high tinting strength and tend to overwhelm other pigments, but if color strength can be controlled, they make predictable mixed colors. In oil form, blues are very deep and slow drying. When mixed with other colors or if chlorine is added, Phthalo Blue quickly tends towards green. When using alone, mix with some white, as Phthalo Blue can be semi-transparent and almost black on its own. It is among the most compatible of modern colors with mineral colors and is considered more reliable than Prussian Blue, while sharing the same physical and color properties. Phthalo Blue is a good color for glazing.
Permanence
Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Toxicity
Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
History
Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
Description
Bocour Blue, Cyan Blue, Helio Blue, Heliogen Blue, Intense Blue, Monastral Blue, Phthalocyanine Blue, Rembrandt Blue, Thalo Blue, Winsor Blue, Phthalo Blue (RS).

Yellow Iron Oxide

Pigment code
PY42
Chemical name
iron(III)-oxide, hydrated
Chemical formula
Fe2O3 • H2O
Properties
Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
Permanence
Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
History
Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
Description
Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Ochre, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.

Bismuth Yellow

Pigment code
PY184
Type
inorganic
Chemical name
bismuth orthovanadate or bismuth vanadium oxide
Chemical formula
BiVO4
Properties
Bismuth Yellow is an intense, light value, semi-opaque yellow pigment with good tinting strength.
Permanence
Bismuth Yellow has excellent lightfastness.
Toxicity
Bismuth orthovanadate is harmful if swallowed. It is irritating to the eyes, respiratory system, and skin. Exposure may cause conjunctivitis, rhinitis, and reversible irritation of the respiratory tract. More severe cases may cause bronchitis, bronchospas
History
Bismuth orthovanadate occurs naturally in several minerals. Although it was synthesized in the 1920s, it was not developed as a commercial pigment until the 1970s.
Description
Permanent Lemon Yellow, Vanadium Yellow.

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