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Rembrandt Soft Pastel - Blue Violet 548.7, Full Stick
Soft Pastel
Recorded retailer price · not live
$4.44
Blick Art Materials · recorded 2026-10-21T06:54:12.726774000Z
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Product details
- Blick SKU
- 20026-5371
About this product range
- Professional quality
- Pure pigments bound in fine kaolin clay
- Smooth, intense color laydown
- Firmer texture ideal for detail and layering
- Clean, low-dust application
- Full stick size: 2-3/4"L × 7/16"Dia
Rembrandt Soft Pastels have been made in the Netherlands since 1899 using pure, finely milled pigments and minimal amounts of kaolin clay as a binder. This low-binder formula keeps the colors clean and brilliant, while giving the sticks a soft, smooth texture that's just firm enough to give you control. You can blend easily, build up layers, or draw clean, sharp lines without the crumbling that sometimes happens with extra-soft pastels.
Completely free of heavy metals like cadmium, cobalt, and lead, every color is developed from its own unique formula to get the best possible color intensity and handling. The pigment and clay are mixed, then shaped through a small-scale extrusion process, which produces consistently sized, uniform sticks. Throughout the process, everything from pigment grind to final wrapping is tightly quality-controlled, resulting in professional-grade lightfastness and a premium feel and finish.
Full sticks are wrapped and sold individually or in sets. Half sticks measure 1-3/8"L × 7/16"Dia and are unwrapped, available only in sets.
__Color guide:__ Numbers like 205.3 refer to the color and tone. The decimal tells you how the color is adjusted—.2 and .3 mean it’s mixed with black, .5 is the full shade, and .7 through .12 are tints with increasing amounts of white.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Manganese Violet
- Pigment code
- PV16
- Type
- inorganic
- Chemical name
- manganese ammonium pyrophosphate
- Chemical formula
- (NH4)2Mn2(P2O7)2 - Mn3(PO4)2 * 3H2O or H4O7P2H3NMn
- Properties
- Manganese Violet is a semi-transparent, bluish-violet pigment with a discrete opacity and low tinting strength. It is the reddest of the violets, and it covers and dries well in oil and tempera. It also performs well in pastel, encaustic, and watercolor. Manganese Violet is not well suited for fresco or acrylic painting. There can be significant differences in color across brands. It shares similar properties with bluish shades of Cobalt Violet.
- Permanence
- Manganese Violet has excellent permanence and lightfastness, and it is one of the most lightfast, balanced violets in watercolor form.
- Toxicity
- Manganese Violet is highly toxic if inhaled and moderately toxic if ingested.
- History
- This pigment was developed in 1868 by E. Leykauf to replace the more expensive Cobalt Violet. It was not offered as an artists’ pigment until 1890.
- Description
- Burgandy Violet, Mineral Violet, Nürnberg Violet, Permanent Violet.
Ultramarine [Blue]
- Pigment code
- PB29
- Type
- inorganic
- Chemical name
- complex silicate of sodium and aluminum with sulfur
- Chemical formula
- Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
- Properties
- Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
- Permanence
- Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
- Toxicity
- Ultramarine has no significant hazards.
- History
- The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
- Description
- Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.
Related supplies
- Rembrandt Soft Pastel - Blue Violet 548.3, Full Stick
- Rembrandt Soft Pastel - Blue Violet 548.5, Full Stick
- Rembrandt Soft Pastel - Blue Violet 548.8, Full Stick
- Rembrandt Soft Pastel - Blue Violet 548.2, Full Stick
- Rembrandt Soft Pastel - Violet 536.7, Full Stick
- Rembrandt Soft Pastel - Prussian Blue 508.2, Full Stick
- Rembrandt Soft Pastel - Prussian Blue 508.3, Full Stick
- Rembrandt Soft Pastel - Prussian Blue 508.5, Full Stick
- Rembrandt Soft Pastel - Prussian Blue 508.7, Full Stick
- Rembrandt Soft Pastel - Prussian Blue 508.8, Full Stick
- Rembrandt Soft Pastel - Turquoise Blue 522.2, Full Stick
- Rembrandt Soft Pastel - Phthalo Blue 570.9, Full Stick