
Product details
- Blick SKU
- 20026-5271
About this product range
- Professional quality
- Pure pigments bound in fine kaolin clay
- Smooth, intense color laydown
- Firmer texture ideal for detail and layering
- Clean, low-dust application
- Full stick size: 2-3/4"L × 7/16"Dia
Rembrandt Soft Pastels have been made in the Netherlands since 1899 using pure, finely milled pigments and minimal amounts of kaolin clay as a binder. This low-binder formula keeps the colors clean and brilliant, while giving the sticks a soft, smooth texture that's just firm enough to give you control. You can blend easily, build up layers, or draw clean, sharp lines without the crumbling that sometimes happens with extra-soft pastels.
Completely free of heavy metals like cadmium, cobalt, and lead, every color is developed from its own unique formula to get the best possible color intensity and handling. The pigment and clay are mixed, then shaped through a small-scale extrusion process, which produces consistently sized, uniform sticks. Throughout the process, everything from pigment grind to final wrapping is tightly quality-controlled, resulting in professional-grade lightfastness and a premium feel and finish.
Full sticks are wrapped and sold individually or in sets. Half sticks measure 1-3/8"L × 7/16"Dia and are unwrapped, available only in sets.
__Color guide:__ Numbers like 205.3 refer to the color and tone. The decimal tells you how the color is adjusted—.2 and .3 mean it’s mixed with black, .5 is the full shade, and .7 through .12 are tints with increasing amounts of white.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Prussian Blue
- Pigment code
- PB27
- Type
- inorganic
- Chemical name
- ferric ferrocyanide/iron(III)-hexacyanoferrate(II)
- Chemical formula
- Fe7(CN)18(H2O)x or C6FeN6H4N
- Properties
- Prussian Blue is a semi-transparent, deep cyan-blue with a greenish undertone and a very high tinting strength unequaled by most pigments. It is similar to Phthalo Blue unless mixed with white, when it gives up intensity and becomes smoky. It can behave erratically and less reliably in oil and watercolor form depending on its manufacture. For permanent painting Phthalo Blue is considered a more reliable choice.
- Permanence
- Prussian Blue is lightfast and permanent in all techniques except for fresco. When mixed with Zinc White in watercolor or tempera form, it fades upon exposure to light and completely regains its chromatic strength in the dark. Modern manufacturing techniques have made this tendency less of an issue in recent years
- Toxicity
- Prussian Blue is moderately toxic if ingested. It will emit toxic hydrogen cyanide gas if heated, exposed to ultraviolet radiation, or treated with acid.
- History
- "The first of the modern pigments," Prussian Blue is the first artificial pigment with a known history. It was discovered by accident in 1704 by the Berlin color maker Heinrich Diesbach, who was trying to create a pigment with a red hue by mixing iron sulfate and potash. The potash Diesbach purchased from a local laboratory had been contaminated by animal oil and blood during previous experimentation. The resulting mixture yielded a very pale red that changed to purple and then deep blue when he tried to concentrate it. Since previous blue pigments came from lapis lazuli, an expensive stone, Diesbach’s discovery was extremely important for artists of the time.
- Description
- Berlin Blue, Bronze Blue, Iron Blue, Paris Blue, Paste Blue. Celestial Blue, Monthier Blue and Soluble Blue are varieties of Prussian Blue. Blue Lake is a reduced or let-down variety of Prussian Blue. Chinese Blue, Milori Blue, and Steel Blue are the three highest grades of Prussian Blue.
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