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Liquitex Soft Body Artist Acrylics - Ultramarine Blue (Green Shade), 946 ml

Professional Soft Body Acrylics

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  • Blick Art Materials
    $60.33 USDShop
    Recorded Oct 21, 2026, 8:55 AM UTC

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Product details
Size
946 ml
Blick SKU
00616-5237
About this product range
  • Professional quality
  • 99 brilliant colors
  • Maximum pigment loads
  • Minimal color shift from wet to dry
  • Balanced flow supports glazing, layering, and knife work
  • Excellent color clarity in thin films and glazes

Liquitex Professional Soft Body Acrylics deliver rich, permanent color in a low-viscosity formula made for versatility. Originally developed as the first water-based acrylic in 1955, this modern version offers a smooth, flowing consistency that’s perfect for fine detail, staining, watercolor-style washes, and fluid techniques like pouring and glazing.

Each color contains high pigment concentrations and a flexible acrylic binder that ensures excellent adhesion and surface integrity. The low-drip formula allows for precision in brushwork or pouring, and it dries to a consistent satin finish with minimal color shift.

Compatible with all Liquitex mediums and acrylic formats, Soft Body Acrylics are ideal for traditional painting, mixed media, and experimental applications where fluidity and control matter.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Ultramarine [Blue]

Pigment code
PB29
Type
inorganic
Chemical name
complex silicate of sodium and aluminum with sulfur
Chemical formula
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity
Ultramarine has no significant hazards.
History
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Description
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.

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