Grumbacher Pre-Tested Artists' Oil Color - Van Dyke Brown, 1.25 oz tube

Name: Grumbacher Pre-Tested Artists' Oil Color - Van Dyke Brown, 1.25 oz tube
Brand: Grumbacher

Pre-Tested Artists' Oil Color

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$8.44

Blick Art Materials · recorded Oct 21, 2026, 1:18 PM UTC

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Product details

Size: 37 ml
Blick SKU: 00448-8313

About this product range

Tested and approved by professionals, for professionals, Grumbacher Pre-Tested Professional Oils have been one of America's favorite oil paints since 1905. Recently reformulated, the line now includes stronger, purer cadmiums and exciting contemporary colors.

Grumbacher Pre-Tested Oils are made with the finest pure pigments milled in select alkali-refined linseed oil, with the exception of the Whites described below. All 90 colors are highly pigmented, with tinting strength equal to or better than the leading professional brands. Pre-Tested Oils offer high chroma, superior tinting strength, excellent adhesion, outstanding working properties, the utmost lightfastness, and archival permanence.

Superba White is a smooth, buttery, heavy-bodied white ground in non-yellowing poppy seed oil. Superba is unaffected by exposure to light, freely intermixable with other colors, and offers enhanced opacity and tinting strength.

Titanium White is a permanent, heavy-bodied, versatile, opaque, pure white that is neutral in hue. It's ideal for applications where great opacity is required, and is considered the strongest tinting white.

Soft Titanium White is a permanent soft-bodied, opaque, non-yellowing Titanium White that is ground in poppy seed and sunflower oils, rather than linseed oil. These oils do not yellow with age, as does pure linseed oil. Soft Titanium White is also recommended for fluid wet-in-wet techniques.

Zinc White is a permanent, heavy-bodied, semi-opaque, cool white. It's designed especially for brilliant clear tints with all oil colors, and is excellent for glazing.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Burnt Umber

Pigment code: PBr7
Type: earth
Chemical name: iron oxides with manganese silicates or dioxide
Chemical formula: Fe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3
Properties: Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.
Permanence: Burnt Umber has good permanence.
Toxicity: Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
History: This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
Description: Chestnut Brown, Euchrome, Jacaranda Brown, Mars Brown, Mineral Brown, Raw Brown, Spanish Brown, Van Dyke Umber. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.