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Golden Paintworks Mural and Theme Acrylic Paint - Iridescent Pale Gold, 16 oz, Jar

Mural and Theme Acrylic Paint

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$21.20

Blick Art Materials · recorded Oct 21, 2026, 6:54 AM UTC

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Product details
Size
473 ml
Blick SKU
09408-9246
About this product range

Developed for professional muralists and theme designers, Golden Paintworks Mural and Theme Acrylic Paint offers a range of extraordinary colors. Formulated using a high concentration of artist-grade pigments and advanced resin technologies, this range of 49 intense, opaque, lightfast colors is specially designed for murals, themed facades, entertainment venues, color-branded commercial buildings, and more. 100% acrylic and architectural grade, Mural and Theme Paint offers great coverage and outstanding self-leveling. Colors mix cleanly, dry to an even, satin sheen, and provide excellent durability. Colors can be diluted with water for use as a glaze or wash. Choose from a range of standard and iridescent colors. Transparent iron oxide colors are formulated using transparent, non-toxic pigments with excellent color strength, weathering stability, and UV absorption. Extremely versatile, they work well for aged effects as washes or mixed in glazes.

*All colors are created for both interior and exterior use except for Dioxazine Purple, Quinacridone Magenta and Ultramarine Blue which require a UV protective clear topcoat for outdoor stability.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Raw Umber

Pigment code
PBr7
Type
earth
Chemical name
hydrated iron oxide
Chemical formula
α-FeO3+(OH) or Fe2O3 × MnO2
Properties
Raw Umber is a cool, transparent brown ranging from yellowish brown to greenish brown. It has surprisingly good tinting strength, a high level of opacity, mixes well with greens, and is quick drying in oil form. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It grays when mixed with blue and white. Raw Umber can tend towards chalkiness in dark mixes in oil form.
Permanence
Raw Umber has excellent permanence.
Toxicity
Raw Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
History
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
Description
Chestnut Brown, Euchrome, Jacaranta Brown, Mars Brown, Raw Brown, Sicilian Brown. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.

Red Iron Oxide

Pigment code
PR101
Type
earth, synthetic
Chemical name
iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
Chemical formula
Fe2O2 or Fe2O3 x H2O
Properties
Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
Permanence
Red iron oxide is very lightfast with excellent permanence.
Toxicity
Red iron oxide has no significant hazards.
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
Description
Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.

Yellow Iron Oxide

Pigment code
PY42
Chemical name
iron(III)-oxide, hydrated
Chemical formula
Fe2O3 • H2O
Properties
Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
Permanence
Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
History
Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
Description
Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Ochre, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.

Lamp Black

Pigment code
PBk7
Type
inorganic
Chemical name
carbon
Chemical formula
C
Properties
Lamp black is a very opaque, heavily staining black pigment that does not have much covering or tinting power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures. Natural sources may be brownish or bluish in tone because of impurities. When used in oil paints, it is one of the slowest drying pigments, and should not be used in underpainting or applied in layers underneath other colors.
Permanence
Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.
Toxicity
Carbon itself is not considered hazardous, however other combustion products that are hazardous are often present as impurities when Lamp Black is produced from natural materials. For this reason, commercial preparations of the pigment should be considered slightly toxic. Avoid skin contact and inhalation. Where such impurities are present, Lamp Black is a possible human carcinogen.
History
Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It has been used as a pigment since prehistoric times. It is the black found in Egyptian murals and tomb decorations and was the most popular black for fresco painting until the development of Mars Black.
Description
Carbon Black, Channel Black, Furnace Black, Oil Black, Vegetable Black. Flame Black is an impure version of Lamp Black. An alternate spelling is Lampblack, in which the first syllable is stressed and the two words are elided to form a closed compound.

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