Golden Paintworks Mural and Theme Acrylic Paint - Moss Yellow, 16 oz, Jar

SKU 09408-4916

Mural and Theme Acrylic Paint

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$32.50

Blick Art Materials · recorded 2026-10-21T06:54:04.059926000Z

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Product details

Size
473 ml
About this product range

Developed for professional muralists and theme designers, Golden Paintworks Mural and Theme Acrylic Paint offers a range of extraordinary colors. Formulated using a high concentration of artist-grade pigments and advanced resin technologies, this range of 49 intense, opaque, lightfast colors is specially designed for murals, themed facades, entertainment venues, color-branded commercial buildings, and more. 100% acrylic and architectural grade, Mural and Theme Paint offers great coverage and outstanding self-leveling. Colors mix cleanly, dry to an even, satin sheen, and provide excellent durability. Colors can be diluted with water for use as a glaze or wash. Choose from a range of standard and iridescent colors. Transparent iron oxide colors are formulated using transparent, non-toxic pigments with excellent color strength, weathering stability, and UV absorption. Extremely versatile, they work well for aged effects as washes or mixed in glazes. *All colors are created for both interior and exterior use except for Dioxazine Purple, Quinacridone Magenta and Ultramarine Blue which require a UV protective clear topcoat for outdoor stability.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Hansa Yellow

Pigment code
PY74
Type
monoazo
Chemical formula
C18H18N4O6
Properties
Pigment PY74 is one of the most commercially important pigments of the Hansa Yellow group, considered superior to many others in its class based on both tinting strength and lightfastness. Several PY74 grades with different particle sizes are available. Grades with finer particle size are more brilliant and transparent. Pigment PY74 ranges from reddish yellow to greenish yellow, with temperature shifts from cool to warm hues. It has high tinting strength and average to slow drying time.
Permanence
This Hansa Yellow has better lightfastness that other yellow monoazo pigments, particularly in the darker shades.
Toxicity
Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.
History
Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.
Description
Arylide, Arylide Yellow, Azo, Brilliant Yellow, Monoazo, Monolite Yellow, Permanent Yellow.

Yellow Iron Oxide

Pigment code
PY42
Chemical name
iron(III)-oxide, hydrated
Chemical formula
Fe2O3 • H2O
Properties
Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
Permanence
Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
History
Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
Description
Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Ochre, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.

Titanium White

Pigment code
PW6
Type
inorganic
Chemical name
titanium dioxide
Chemical formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as non-toxic.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Description
None.

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