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Daniel Smith Extra Fine Gouache - Moonglow, 15 ml Tube

Extra Fine Gouache

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  • Blick Art Materials
    $14.57 USDShop
    Recorded Oct 21, 2026, 9:20 AM UTC

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Product details
Size
15 ml
Blick SKU
00908-1772
About this product range

Richly pigmented to produce a pure, opaque matte finish, Daniel Smith Extra Fine Gouache Tubes are artist-grade, waterbased gouache colors offering professional performance and outstanding lightfastness. High concentrations of the same premium pigments and pure gum arabic as Daniel Smith Extra Fine Watercolors result in optimal density and opacity without whites or other fillers. 17 of the line’s 22 richly saturated colors are formulated with a single pigment for clean color mixtures, and every color in the range offers exceptional lightfastness.

Wonderful on both light and dark surfaces, these professional gouache colors allow for a full range of lifting and staining techniques. Apply colors as mass tone straight from the tube for rich, full-bodied solids with single brushstrokes or temper colors smoothly with water to create softer lines and hazy layers.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Viridian

Pigment code
PG18
Type
inorganic
Chemical name
chromium(III)-oxide dehydrate
Chemical formula
Cr2O3 • 2 H2O or Cr2(OH3)
Properties
Viridian is the standard green and is stable, powerful, and cold with an emerald green undertone. It has a transparent hue, good tinting strength, a dark masstone that can be almost black at full strength, and a slow drying time in oil form. Viridian is commonly replaced by the darker, more saturated, and staining Phthalo Greens, but its properties make it a necessary part of the palette of an experienced landscape painter.
Permanence
Viridian has excellent permanence, except in high-temperature work, and is highly valued as a glazing color.
Toxicity
Viridian is slightly toxic.
History
Viridian’s name comes from the Latin viridis, meaning green. The process for manufacturing Viridian, or Transparent Oxide of Chromium, was patented by Guignet in Paris in 1859. However, it had actually been discovered by Pannetier and Binet in 1838. Viridian replaced Verdigris, which was reactive and unstable, and Emerald Green, which was a poisonous copper aceto-arsenite used as a rat poison in the sewers of Paris.
Description
Emerald Chromium Oxide, Emeraude Green, French Veronese Green, Guignet’s Green, Pannetier's Green, Permanent Green, Smaragd Green, Transparent Oxide of Chromium, Vert Emeraude. Casali's Green and Mittler's Green are varieties of Viridian. Viridian has historically been sold under the name Emerald Green, but they are currently considered to be and are marketed as two different pigments.

Ultramarine [Blue]

Pigment code
PB29
Type
inorganic
Chemical name
complex silicate of sodium and aluminum with sulfur
Chemical formula
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity
Ultramarine has no significant hazards.
History
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Description
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.

Anthraquinone Red

Pigment code
PR177
Type
anthraquinone
Chemical formula
C14H8O2
Properties
Anthraquinone Red is a magenta colored pigment that is transparent and moderately intense. It tends to fade in tints and is suitable for all media.
Permanence
Anthraquinone Red has good lightfastness and permanence in its masstone, while its tint lightfastness is moderate. Overall lightfastness and permanence varies by brand.
Toxicity
Anthraquinone Red has no significant acute toxicity.
History
Anthraquinone pigments originated as textile vat dyes before being used as pigments. They became more popular with artists once it was discovered that careful preparation and grinding helped them to retain brilliance of color.
Description
Anthraquinoid Red.

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