ArtSnag

Sennelier Oil Pastel - Pale Blue

Oil Pastel

Recorded retailer price · not live

$3.80

Blick Art Materials · recorded Oct 21, 2026, 7:23 AM UTC

View at Blick Art Materials

Price tracking and alerts are coming soon. Saving an item does not start monitoring.

Product details
Blick SKU
20038-5921
About this product range
  • Professional quality
  • Pure pigments, synthetic binder, pH-neutral mineral wax
  • Rich, lipstick soft texture
  • Brilliant, lightfast, and highly opaque
  • Individually wrapped sticks: 2-5/8"L × 3/8 "Dia
  • Made in France

Sennelier Oil Pastels are a benchmark in the art world: lipstick soft, highly pigmented pastels made in France with the same top-quality components found in all Sennelier colors.

Developed in collaboration with Pablo Picasso, they combine pure pigments, an exceptionally pure synthetic binding medium, and pH-neutral mineral waxes to create an oil pastel unlike any other.

Each stick is packed with an extraordinarily high pigment load, giving it superior covering power, exceptional brightness, and a high degree of lightfastness (with the exception of metallic and fluorescent colors).

The balance of wax and binder results in a uniquely rich, smooth texture that allows artists to work with freedom, whether creating thin veils of color or bold, impasto-like strokes.

The binder is inert and non-siccative, meaning it won’t oxidize, crack, or alter over time. Combined with mineral wax, this ensures excellent surface stability and makes blending and layering effortless.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Ultramarine [Blue]

Pigment code
PB29
Type
inorganic
Chemical name
complex silicate of sodium and aluminum with sulfur
Chemical formula
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity
Ultramarine has no significant hazards.
History
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Description
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.

Zinc White

Pigment code
PW4
Type
inorganic
Chemical name
zinc(II)-oxide
Chemical formula
ZnO
Properties
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Permanence
Zinc White has great permanence and lightfastness.
Description
Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.

Related supplies