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Mount Vision Handmade Pastel - Raw Umber 163

Soft Pastel

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$4.84

Blick Art Materials · recorded Oct 21, 2026, 8:15 AM UTC

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Product details
Blick SKU
21949-8163
About this product range

The "feel" of a pastel — or how a pastel releases to paper — depends on the individual pigments used and the base they’re mixed with. Karl Kelly, owner of Mount Vision Pastel Company, understands that. By combining his technical expertise and artistic background, Kelly has translated the vivid color and unique density of individual pigments into high-quality, affordable pastels for the artist who sees beyond the expected when it comes to color.

Each hand-rolled stick contains a unique combination of traditional and synthetic pigments, combined to bring out their inherent beauty, enrich their undertones and make each color sing, both individually and together. Combined in varying degrees with marble dust, chalk and clay to assure a consistently smooth and buttery feel, colors lay down with minimal resistance, allowing several layers to accrue without becoming too thick.

Each stick measures 2-1/2" Long x 1/2" Dia. (64 mm × 13 mm).

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Titanium White

Pigment code
PW6
Type
inorganic
Chemical name
titanium dioxide
Chemical formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as non-toxic.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.

Raw Umber

Pigment code
PBr7
Type
earth
Chemical name
hydrated iron oxide
Chemical formula
α-FeO3+(OH) or Fe2O3 × MnO2
Properties
Raw Umber is a cool, transparent brown ranging from yellowish brown to greenish brown. It has surprisingly good tinting strength, a high level of opacity, mixes well with greens, and is quick drying in oil form. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It grays when mixed with blue and white. Raw Umber can tend towards chalkiness in dark mixes in oil form.
Permanence
Raw Umber has excellent permanence.
Toxicity
Raw Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
History
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
Description
Chestnut Brown, Euchrome, Jacaranta Brown, Mars Brown, Raw Brown, Sicilian Brown. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.

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