Rembrandt Soft Pastel - Raw Umber 408.3, Full Stick

SKU 20026-8831

Soft Pastel

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$4.44

Blick Art Materials · recorded 2026-10-21T06:54:12.726774000Z

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About this product range

- Professional quality - Pure pigments bound in fine kaolin clay - Smooth, intense color laydown - Firmer texture ideal for detail and layering - Clean, low-dust application - Full stick size: 2-3/4"L × 7/16"Dia Rembrandt Soft Pastels have been made in the Netherlands since 1899 using pure, finely milled pigments and minimal amounts of kaolin clay as a binder. This low-binder formula keeps the colors clean and brilliant, while giving the sticks a soft, smooth texture that's just firm enough to give you control. You can blend easily, build up layers, or draw clean, sharp lines without the crumbling that sometimes happens with extra-soft pastels. Completely free of heavy metals like cadmium, cobalt, and lead, every color is developed from its own unique formula to get the best possible color intensity and handling. The pigment and clay are mixed, then shaped through a small-scale extrusion process, which produces consistently sized, uniform sticks. Throughout the process, everything from pigment grind to final wrapping is tightly quality-controlled, resulting in professional-grade lightfastness and a premium feel and finish. Full sticks are wrapped and sold individually or in sets. Half sticks measure 1-3/8"L × 7/16"Dia and are unwrapped, available only in sets. __Color guide:__ Numbers like 205.3 refer to the color and tone. The decimal tells you how the color is adjusted—.2 and .3 mean it’s mixed with black, .5 is the full shade, and .7 through .12 are tints with increasing amounts of white.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Yellow Iron Oxide

Pigment code
PY42
Chemical name
iron(III)-oxide, hydrated
Chemical formula
Fe2O3 • H2O
Properties
Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
Permanence
Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
History
Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
Description
Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Ochre, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.

Raw Umber

Pigment code
PBr7
Type
earth
Chemical name
hydrated iron oxide
Chemical formula
α-FeO3+(OH) or Fe2O3 × MnO2
Properties
Raw Umber is a cool, transparent brown ranging from yellowish brown to greenish brown. It has surprisingly good tinting strength, a high level of opacity, mixes well with greens, and is quick drying in oil form. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It grays when mixed with blue and white. Raw Umber can tend towards chalkiness in dark mixes in oil form.
Permanence
Raw Umber has excellent permanence.
Toxicity
Raw Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
History
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
Description
Chestnut Brown, Euchrome, Jacaranta Brown, Mars Brown, Raw Brown, Sicilian Brown. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.

Red Iron Oxide

Pigment code
PR101
Type
earth, synthetic
Chemical name
iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
Chemical formula
Fe2O2 or Fe2O3 x H2O
Properties
Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
Permanence
Red iron oxide is very lightfast with excellent permanence.
Toxicity
Red iron oxide has no significant hazards.
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
Description
Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.

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