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R&F Pigment Stick - Veronese Green, 100 ml stick

Pigment Stick

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  • Blick Art Materials
    $32.40 USDShop
    Recorded Oct 21, 2026, 1:52 PM UTC

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Product details
Size
100 ml
Blick SKU
01107-7985
About this product range
  • Professional, handmade oil color sticks
  • 96 luminous colors
  • Richly pigmented
  • Linseed oil and natural waxes, no fillers
  • Smooth and rich for expressive mark making
  • Small batch production, made in the USA

R&F Pigment Sticks put the paint directly in your hand, eliminating the separation between brush and surface. These are true oil colors, handmade in small batches with just enough wax added to shape them into a stick. Made with three simple, traditional materials—natural bee and plant waxes, linseed oil, and pigments of unmatched purity—their lipstick-soft consistency invites spontaneous mark making and results in strong, durable films.

With a range of 96 colors, R&F Pigment Sticks offer a liberating alternative to the limited palettes of traditional printmaking or tube paints. Use them on their own or mix with traditional oil colors. Thin them with turpentine or mineral spirits, or work them directly into stand oil, linseed oil, alkyd mediums, or resin gels. Whether you're sketching loosely on canvas or building up rich layers, Pigment Sticks deliver a direct, tactile experience that bridges the gap between drawing and painting.

They work on any surface suitable for traditional oil painting—sized canvas, paper, or panels. For a faster-drying, matte finish, try more absorbent surfaces like clay-coated papers. Once fully dry, Pigment Stick artwork can be varnished just like any oil painting.

Small sticks are 38 ml—about the same as a standard tube of artists' oil paint. Medium sticks are 100 ml. Large sticks are 188 ml.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Cadmium Yellow

Pigment code
PY37
Type
inorganiic, cadmium
Chemical name
cadmium(II)-sulfide
Chemical formula
CdS
Properties
Cadmium Yellow is brilliant, dense, and opaque, with good tinting strength and very high hiding power. It is the artist’s principal bright yellow and is available in light, medium, and dark shades. The deeper shades appear deep orange and have the greatest tinting strength. It is slow-drying in oil form and is used in both oil and watercolor form. It cannot be mixed with copper-based pigments. A clean Cadmium Orange is created when Cadmium Yellow is mixed with Cadmium Red. Hues vary by brand. Cadmium pigments have been partially replaced by azo pigments, which are similar in lightfastness to the cadmium colors, cheaper, and non-toxic. Cadmium Yellow is usually available in a pure grade, or in a cadmium-barium mix. This mix has the same permanence with a lower tinting strength.
Permanence
Cadmium Yellow is lightfast and permanent in most forms, but like most cadmium colors, it will fade in fresco or mural painting. The deeper shades are the most permanent. The pale varieties have been known to fade with exposure to sunlight.
History
Cadmiums get their names from the Latin word cadmia meaning zinc ore calamine, and the Greek word kadmeia, meaning Cadmean earth, first found near Thebes, the city founded by the Phoenician prince Cadmus. Metallic cadmium was discovered in 1817 by Friedrich Strohmeyer. Oil colors were first made from Cadmium Yellow pigments in 1819, replacing toxic Chrome (lead) Yellows. However, their production was delayed until 1840 due to the scarcity of cadmium metals. Landscape painters, such as Claude Monet, preferred Cadmium Yellow to the less expensive Chrome Yellow because of its higher chroma and greater purity of color.
Description
Aurora Yellow, Cadmium Primrose Yellow, Cadmium Zinc Yellow, Lemon Yellow, Primrose Yellow. Deep Cadmium Yellow is sometimes called Orient Yellow.

Phthalo Green

Pigment code
PG7
Type
organic
Chemical name
polychlorinated copper(II) phthalocyanine
Chemical formula
C32H3Cl13CuN8 to C32HCl15CuN8 or C32H16CuN8Cl15 (PG7) or C32Br6Cl10CuN8 (PG36)
Properties
Phthalo Green is a transparent, cool, bright, high intensity color used in oil and acrylics. It comes from a Phthalocyanine Blue pigment where most of the hydrogen atoms have been replaced with chlorine, forming highly stable molecules. It has similar pigment properties and permanence to Phthalo Blue. It is slow drying and an excellent base color for mixing a range of bright greens. Phthalo Green is considered a very good alternative to Viridian because it is intense and mixes well and can be used to emphasize mineral colors in various tints. However, its tinting strength is very high, so it can overpower other colors. This pigment most closely resembles the discontinued and toxic Verdigris.
Permanence
Phthalo Greens are completely lightfast and resistant to alkali, acids, solvents, heat, and ultraviolet radiation. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Description
Bocour Green, Cyan Green, Intense Green, Monastral Green, Phthalocyanine Green BS, Rembrandt Green, Thalo Green, Winsor Green.

Titanium White

Pigment code
PW6
Type
inorganic
Chemical name
titanium dioxide
Chemical formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as non-toxic.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.

Zinc White

Pigment code
PW4
Type
inorganic
Chemical name
zinc(II)-oxide
Chemical formula
ZnO
Properties
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Permanence
Zinc White has great permanence and lightfastness.
Description
Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.

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