Golden Heavy Body Artist Acrylics - Naples Yellow Hue, 2 oz Tube

Name: Golden Heavy Body Artist Acrylics - Naples Yellow Hue, 2 oz Tube
Brand: Golden

Heavy Body Artist Acrylic Paint

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Blick Art Materials
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$9.65 USDShop
Older record · Recorded Oct 21, 2026, 1:39 PM UTC
Jackson’s Art Supplies
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Product details

Size: 59 ml
Blick SKU: 00620-4243

About this product range

Renowned professional quality
Pure pigments in high concentrations
100% acrylic emulsion; no fillers, dyes, or opacifiers
Highly lightfast and permanent
Made in the USA

For artists seeking brilliant color, rich textures, and lasting performance, Golden Heavy Body Acrylic Colors are among the world’s very best. Golden's original acrylic line, the Heavy Body range includes the widest selection of single pigment colors in an acrylic format. Custom-milled to bring out the best qualities of each pigment, the resulting range includes glossy, transparent, matte, and opaque finishes—100% free from fillers or matting agents. The result? Complete color clarity and purity, straight from the tube.

Celebrated for their ability to hold brushstrokes and palette knife textures, these colors can also be extended with mediums for luminous, fluid glazes. No matter your technique, Golden Heavy Body Acrylics deliver reliable performance and striking results.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Buff Titanium

Pigment code: PW6:1
Type: inorganic
Chemical name: titanium dioxide
Chemical formula: TiO2
Properties: Buff Titanium is an warm, reddish, off-white pigment that shares the properties of Titanium White, including opacity and slow drying time.
Permanence: Buff Titanium is lightfast and permanant.
Toxicity: Titanium dioxide and iron oxide are naturally occuring and are abundant in the Earth's crust. Both are considered non-toxic. Particle sizes tend to be larger in Unbleached Titanium than for titanium dioxide pigments used in white paints.
History: Titanium dioxide often occurs in nature with iron oxide. Buff or unbleached titanium is a natural mineral form of titanium dioxide. A variety of processes are used to produce buff or unbleached titanium. Some manufacturers may add synthetic iron oxides to a titanium base, while others use naturally occuring titanium ores that contain impurities. In this respect, Buff Titanium or Unbleached Titanium is a color that that may vary from one manufacturer to another.
Description: Off-White, Unbleached Titanium.

Titanium White

Pigment code: PW6
Type: inorganic
Chemical name: titanium dioxide
Chemical formula: TiO2
Properties: Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence: Titanium White has excellent permanence and lightfastness.
Toxicity: Titanium dioxide is highly stable and is regarded as non-toxic.
History: Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.

Yellow Iron Oxide

Pigment code: PY42
Chemical name: iron(III)-oxide, hydrated
Chemical formula: Fe2O3 • H2O
Properties: Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
Permanence: Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
History: Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
Description: Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Ochre, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.

Diarylide Yellow 83

Pigment code: PY83
Type: organic, disazo
Chemical formula: C36H32Cl4N6O8
Properties: Diarylide Yellow is a semi-opaque, moderately staining, intense deep reddish yellow pigment with good tinting strength.
Permanence: Diarylide Yellow 83 has very good lightfastness and permanence. However, it can fade in tints, so some artists do not consider it suitable as an artists' color. Many other diarylide yellow pigments are reported to have fair to poor lightfastness, and some are completely fugitive. Diarylide Yellow 83 is reputed to be one of the most permanent of the entire group.
Toxicity: Diarylide Yellow has no significant acute hazards, but chronic hazards have not been well studied.
History: Diarylide Yellow comes from a family of azo pigments called Diarylide. These yellow hued pigments were developed around 1940 and are very important in printing inks.
Description: Benzidine Yellow, Diazo Yellow.