Grumbacher Pre-Tested Artists' Oil Color - Prussian Blue, 1.25 oz tube

Pre-Tested Artists' Oil Color

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  • Blick Art Materials
    $11.01 USDShop
    Recorded Oct 21, 2026, 1:18 PM UTC

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Product details
Size
37 ml
Blick SKU
00448-5223
About this product range

Tested and approved by professionals, for professionals, Grumbacher Pre-Tested Professional Oils have been one of America's favorite oil paints since 1905. Recently reformulated, the line now includes stronger, purer cadmiums and exciting contemporary colors.

Grumbacher Pre-Tested Oils are made with the finest pure pigments milled in select alkali-refined linseed oil, with the exception of the Whites described below. All 90 colors are highly pigmented, with tinting strength equal to or better than the leading professional brands. Pre-Tested Oils offer high chroma, superior tinting strength, excellent adhesion, outstanding working properties, the utmost lightfastness, and archival permanence.

Superba White is a smooth, buttery, heavy-bodied white ground in non-yellowing poppy seed oil. Superba is unaffected by exposure to light, freely intermixable with other colors, and offers enhanced opacity and tinting strength.

Titanium White is a permanent, heavy-bodied, versatile, opaque, pure white that is neutral in hue. It's ideal for applications where great opacity is required, and is considered the strongest tinting white.

Soft Titanium White is a permanent soft-bodied, opaque, non-yellowing Titanium White that is ground in poppy seed and sunflower oils, rather than linseed oil. These oils do not yellow with age, as does pure linseed oil. Soft Titanium White is also recommended for fluid wet-in-wet techniques.

Zinc White is a permanent, heavy-bodied, semi-opaque, cool white. It's designed especially for brilliant clear tints with all oil colors, and is excellent for glazing.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Prussian Blue

Pigment code
PB27
Type
inorganic
Chemical name
ferric ferrocyanide/iron(III)-hexacyanoferrate(II)
Chemical formula
Fe7(CN)18(H2O)x or C6FeN6H4N
Properties
Prussian Blue is a semi-transparent, deep cyan-blue with a greenish undertone and a very high tinting strength unequaled by most pigments. It is similar to Phthalo Blue unless mixed with white, when it gives up intensity and becomes smoky. It can behave erratically and less reliably in oil and watercolor form depending on its manufacture. For permanent painting Phthalo Blue is considered a more reliable choice.
Permanence
Prussian Blue is lightfast and permanent in all techniques except for fresco. When mixed with Zinc White in watercolor or tempera form, it fades upon exposure to light and completely regains its chromatic strength in the dark. Modern manufacturing techniques have made this tendency less of an issue in recent years
Toxicity
Prussian Blue is moderately toxic if ingested. It will emit toxic hydrogen cyanide gas if heated, exposed to ultraviolet radiation, or treated with acid.
History
"The first of the modern pigments," Prussian Blue is the first artificial pigment with a known history. It was discovered by accident in 1704 by the Berlin color maker Heinrich Diesbach, who was trying to create a pigment with a red hue by mixing iron sulfate and potash. The potash Diesbach purchased from a local laboratory had been contaminated by animal oil and blood during previous experimentation. The resulting mixture yielded a very pale red that changed to purple and then deep blue when he tried to concentrate it. Since previous blue pigments came from lapis lazuli, an expensive stone, Diesbach’s discovery was extremely important for artists of the time.
Description
Berlin Blue, Bronze Blue, Iron Blue, Paris Blue, Paste Blue. Celestial Blue, Monthier Blue and Soluble Blue are varieties of Prussian Blue. Blue Lake is a reduced or let-down variety of Prussian Blue. Chinese Blue, Milori Blue, and Steel Blue are the three highest grades of Prussian Blue.

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