Blick Artists' Oil Color - Indigo, 40 ml tube

Artists' Oil Color

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$9.17

Blick Art Materials · recorded 2026-10-21T13:57:47.043930000Z

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Product details
Size
40 ml
Blick SKU
01595-5203
About this product range
  • Luminous, professional quality colors at a standout value
  • Hand-ground pigments in safflower and linseed oils
  • Powerful tint strength and excellent lightfastness
  • Rich and responsive for suave brushwork
  • Strong single-pigment range for clean color mixing

Blick Artists’ Oil Colors deliver all the performance of the leading professional brands—at a fraction of the price. Loaded with premium, hand-ground pigments and suspended in pure, first-press safflower or linseed oil, colors are individually ground on a traditional three-roll mill for powerful color strength, responsive handling, and superior lightfastness.

Most colors use safflower oil for non-yellowing permanence, while select pigments—such as Cerulean Blue—are suspended in poppy oil for a slower drying time. Deeper values like Ivory Black and Sepia are made with traditional linseed oil for added richness and durability.

Thirty of the 60 colors are single-pigment formulations, giving artists unmatched purity and precision in color mixing. Whether you're building a professional palette, refining your technique, or seeking premium quality without the premium markup, Blick Artists’ Oils deliver studio-trusted performance at unbeatable value.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Vine Black

Pigment code
PBk8
Type
inorganic
Chemical name
carbon
Chemical formula
C
Properties
Black is a semi-transparent, slightly textured blue-black pigment with excellent hiding power. It has a finer grain than other black pigments, so it spreads better in watercolor. However, it is inferior in intensity, tinting strength, and chemical purity to the major black pigments.
Permanence
Vine Black has superior permanence and lightfastness because carbon absorbs light well.
Toxicity
Vine Black has no significant hazards.
History
Vine Black is a carbon based black traditionally produced by charring desiccated grape vines, stems, and wood from willow trees. These processes have been used since antiquity, though a superior artificial variety was developed in the United States in 1864 to make a black appropriate for watercolors.
Description
Blue Black, Charcoal Black, Coke Black, Cork Black, Drop Black, Frankfort Black, German Black, Grape Black, Kernel Black, Marc Black, Mineral Black, Peach Black, Spanish Black, Vegetable Black, Yeast Black. Blue Black has also been used to describe Ivory Black.

Phthalo Blue

Pigment code
PB15:3
Type
organic
Chemical name
beta copper phthalocyanine
Chemical formula
C32H16CuN8
Properties
Phthalo Blue PB15:3 is a structural variant of Phthalo Blue PB15 that produces more greenish tones.
Permanence
Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Toxicity
Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
History
Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
Description
Phthalo Blue Green Shade, Winsor Blue Green Shade

Ivory Black

Pigment code
PBk9
Type
charred animal bone
Chemical name
carbon + calcium phosphate
Chemical formula
C + Ca3(PO4)2 or C x CaPO4
Properties
Ivory Black is a cool, semi-transparent blue-black with a slight brownish undertone and average tinting strength. It mixes well with any color, and creates a range of dull greens when mixed with yellow. It has good properties for use in oil, can be slow to dry in oil form, and should never be used in underpainting or frescoing. Ivory Black is denser than Lamp Black.
Permanence
Ivory Black is very lightfast and has good permanence, though it is considered the least permanent of the major black pigments.
Toxicity
Ivory Black has no significant hazards.
History
Ivory Black is a carbon based black first named as Elephantium, and described in the 4th century BCE as produced by heating ivory scraps in clay pots to reduce the ivory or bone to charcoal. The deviation in names is because the more expensive varieties of this pigment were made by burning ivory, and the less expensive ones by burning animal bone. In the 19th century, the name Ivory Black was finally permitted to be applied to Carbon Black pigments made from bone. True Ivory Black is rare in modern times due to the protection of ivory, and the synthetic variety produced today was discovered in 1929. Bone Black is produced as an industrial pigment.
Description
Animal Black, Blue Black, Bone Black. Paris Black is an inferior grade of Ivory Black. Incorrectly labeled as Frankfort Black.

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