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Daniel Smith Extra Fine Watercolor - Payne's Gray, 15 ml Tube
Extra Fine Watercolor
Recorded retailer price · not live
$11.74
Blick Art Materials · recorded 2026-10-21T08:02:30.662890000Z
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Product details
- Size
- 15 ml
- Blick SKU
- 01767-1940
About this product range
- Professional-quality
- Widest color range available on the market
- Maximum pigment loads
- Excellent lightfastness
- Natural granulation and distinctive pigment properties
- Handmade in the USA
Daniel Smith Extra Fine Watercolors offer exceptional vibrancy, versatility, and performance trusted by professional artists worldwide. Crafted with pure, finely ground pigments and a gum arabic binder, each color delivers rich, luminous washes, remarkable blending, and stunning transparency or granulation—depending on the pigment’s natural properties.
Whether you're working with historical earth tones, intense quinacridones, or mineral-based PrimaTek colors, each tube provides a unique painting experience. These watercolors are rigorously tested to ensure consistent pigment load, exceptional lightfastness, and true-to-tube quality every time.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Ultramarine [Blue]
- Pigment code
- PB29
- Type
- inorganic
- Chemical name
- complex silicate of sodium and aluminum with sulfur
- Chemical formula
- Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
- Properties
- Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
- Permanence
- Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
- Toxicity
- Ultramarine has no significant hazards.
- History
- The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
- Description
- Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.
Yellow Iron Oxide
- Pigment code
- PY42
- Chemical name
- iron(III)-oxide, hydrated
- Chemical formula
- Fe2O3 • H2O
- Properties
- Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
- Permanence
- Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
- History
- Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
- Description
- Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Ochre, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.
Ivory Black
- Pigment code
- PBk9
- Type
- charred animal bone
- Chemical name
- carbon + calcium phosphate
- Chemical formula
- C + Ca3(PO4)2 or C x CaPO4
- Properties
- Ivory Black is a cool, semi-transparent blue-black with a slight brownish undertone and average tinting strength. It mixes well with any color, and creates a range of dull greens when mixed with yellow. It has good properties for use in oil, can be slow to dry in oil form, and should never be used in underpainting or frescoing. Ivory Black is denser than Lamp Black.
- Permanence
- Ivory Black is very lightfast and has good permanence, though it is considered the least permanent of the major black pigments.
- Toxicity
- Ivory Black has no significant hazards.
- History
- Ivory Black is a carbon based black first named as Elephantium, and described in the 4th century BCE as produced by heating ivory scraps in clay pots to reduce the ivory or bone to charcoal. The deviation in names is because the more expensive varieties of this pigment were made by burning ivory, and the less expensive ones by burning animal bone. In the 19th century, the name Ivory Black was finally permitted to be applied to Carbon Black pigments made from bone. True Ivory Black is rare in modern times due to the protection of ivory, and the synthetic variety produced today was discovered in 1929. Bone Black is produced as an industrial pigment.
- Description
- Animal Black, Blue Black, Bone Black. Paris Black is an inferior grade of Ivory Black. Incorrectly labeled as Frankfort Black.
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