Amsterdam Standard Series Acrylic - Metallic Light Gold, 500 ml bottle

Acrylic

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$29.19

Blick Art Materials · recorded 2026-10-21T11:00:55.851658000Z

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Product details
Size
500 ml
Blick SKU
00643-9110
About this product range
  • Bold, versatile acrylics for artists at any level
  • 102 modern and traditional colors
  • High-grade pigments and 100% acrylic emulsion
  • Balanced body retains subtle texture
  • Excellent lightfastness and long-term durability

Amsterdam Standard Series Acrylics combine brilliant color, great handling, and exceptional flexibility for artists at any stage, from students and hobbyists to seasoned pros. Available in 102 colors, including both modern and traditional pigments, you’ll find a wide range of opacities—perfect for layering, glazing, and precise color control.

These medium-viscosity paints offer an easy, consistent flow straight from the tube. Their smooth, full bodied texture holds expressive brushwork and subtle textures beautifully. Use them on their own or extend their versatility with your favorite acrylic mediums. Known for excellent lightfastness and durability, these paints are built to perform across all painting styles and techniques, from fine art to murals, illustration, and mixed media.

Proudly made in the Netherlands.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Mica

Pigment code
PW20
Type
inorganic
Chemical name
aluminum silicate
Chemical formula
H2KAl3(SiO4)3
Properties
An off-white pigment with complex reflective effects, mica is often used with transparent pigments to create mixed pigments with interference and pearlescent effects.
Permanence
Mica is permanent and lightfast.
Toxicity
Although it is completely non-toxic and not bioreactive, fine particles may be irritating. This is of concern primarily for those exposed occupationally to dry mica powder. Breathing mica particles may cause lung fibrosis and pneumoconiosis.
History
Mica has been used as a pigment since prehistoric times.

Titanium White

Pigment code
PW6
Type
inorganic
Chemical name
titanium dioxide
Chemical formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as non-toxic.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.

Red Iron Oxide

Pigment code
PR101
Type
earth, synthetic
Chemical name
iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
Chemical formula
Fe2O2 or Fe2O3 x H2O
Properties
Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
Permanence
Red iron oxide is very lightfast with excellent permanence.
Toxicity
Red iron oxide has no significant hazards.
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
Description
Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.

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