
Product details
- Size
- 38 ml
- Blick SKU
- 01107-5233
About this product range
- Professional, handmade oil color sticks
- 96 luminous colors
- Richly pigmented
- Linseed oil and natural waxes, no fillers
- Smooth and rich for expressive mark making
- Small batch production, made in the USA
R&F Pigment Sticks put the paint directly in your hand, eliminating the separation between brush and surface. These are true oil colors, handmade in small batches with just enough wax added to shape them into a stick. Made with three simple, traditional materials—natural bee and plant waxes, linseed oil, and pigments of unmatched purity—their lipstick-soft consistency invites spontaneous mark making and results in strong, durable films.
With a range of 96 colors, R&F Pigment Sticks offer a liberating alternative to the limited palettes of traditional printmaking or tube paints. Use them on their own or mix with traditional oil colors. Thin them with turpentine or mineral spirits, or work them directly into stand oil, linseed oil, alkyd mediums, or resin gels. Whether you're sketching loosely on canvas or building up rich layers, Pigment Sticks deliver a direct, tactile experience that bridges the gap between drawing and painting.
They work on any surface suitable for traditional oil painting—sized canvas, paper, or panels. For a faster-drying, matte finish, try more absorbent surfaces like clay-coated papers. Once fully dry, Pigment Stick artwork can be varnished just like any oil painting.
Small sticks are 38 ml—about the same as a standard tube of artists' oil paint. Medium sticks are 100 ml. Large sticks are 188 ml.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Ultramarine [Blue]
- Pigment code
- PB29
- Type
- inorganic
- Chemical name
- complex silicate of sodium and aluminum with sulfur
- Chemical formula
- Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
- Properties
- Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
- Permanence
- Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
- Toxicity
- Ultramarine has no significant hazards.
- History
- The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
- Description
- Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.
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