
Product details
- Blick SKU
- 20038-1701
About this product range
- Professional quality
- Pure pigments, synthetic binder, pH-neutral mineral wax
- Rich, lipstick soft texture
- Brilliant, lightfast, and highly opaque
- Individually wrapped sticks: 2-5/8"L × 3/8 "Dia
- Made in France
Sennelier Oil Pastels are a benchmark in the art world: lipstick soft, highly pigmented pastels made in France with the same top-quality components found in all Sennelier colors.
Developed in collaboration with Pablo Picasso, they combine pure pigments, an exceptionally pure synthetic binding medium, and pH-neutral mineral waxes to create an oil pastel unlike any other.
Each stick is packed with an extraordinarily high pigment load, giving it superior covering power, exceptional brightness, and a high degree of lightfastness (with the exception of metallic and fluorescent colors).
The balance of wax and binder results in a uniquely rich, smooth texture that allows artists to work with freedom, whether creating thin veils of color or bold, impasto-like strokes.
The binder is inert and non-siccative, meaning it won’t oxidize, crack, or alter over time. Combined with mineral wax, this ensures excellent surface stability and makes blending and layering effortless.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Mars Orange
- Pigment code
- PY42
- Type
- inorganic, earth
- Chemical name
- iron oxide
- Chemical formula
- Fe2O2 or Fe2O3 • H2O
- Properties
- Mars Orange is a bright, extremely light red and appears almost pinkish in contrast with darker colors. It has incredible tinting strength and opacity. The synthetic form of Mars Orange is made from iron oxides and is cleaner, brighter, and denser than its ochre-based counterparts.
- Permanence
- Mars Orange has excellent permanence and lightfastness.
- Toxicity
- Mars Orange has no significant hazards.
- History
- The word Mars refers to the Roman god of iron and war. Mars Orange has been manufactured as a pigment since the 17th century.
Titanium White
- Pigment code
- PW6
- Type
- inorganic
- Chemical name
- titanium dioxide
- Chemical formula
- TiO2
- Properties
- Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
- Permanence
- Titanium White has excellent permanence and lightfastness.
- Toxicity
- Titanium dioxide is highly stable and is regarded as non-toxic.
- History
- Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Burnt Umber
- Pigment code
- PBr7
- Type
- earth
- Chemical name
- iron oxides with manganese silicates or dioxide
- Chemical formula
- Fe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3
- Properties
- Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.
- Permanence
- Burnt Umber has good permanence.
- Toxicity
- Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
- History
- This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
- Description
- Chestnut Brown, Euchrome, Jacaranda Brown, Mars Brown, Mineral Brown, Raw Brown, Spanish Brown, Van Dyke Umber. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.
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