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Winsor & Newton Cotman Watercolor - Cobalt Blue Hue, 8 ml tube

Cotman Watercolors

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$4.25

Blick Art Materials · recorded Oct 21, 2026, 11:26 AM UTC

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Product details
Size
8 ml
Blick SKU
00325-5191
About this product range
  • Quality student-grade range
  • 40+ colors, including modern and historic pigments
  • Strong tint strength
  • Reliable transparency and lightfastness
  • Uniform consistency for beginners and students

Cotman Watercolors offer Winsor & Newton's renowned quality at an accessible price for students, beginners, and budget-conscious artists. Available in 8 ml and 21 ml tubes, the range features over 40 colors carefully selected for their tone, undertone, strength, and versatility in mixing.

Formulated with a blend of traditional and modern pigments—from natural earths to vibrant organic pigments—these colors allow for a variety of effects, from easy lifting to subtle washes to expressive, high-staining color. Most colors are transparent, with a smooth, consistent texture that makes them easy to work with, especially for those just starting out.

To keep the range affordable, a few of the more expensive pigments have been replaced with cost-effective alternatives—without sacrificing performance. With good to excellent permanence ratings, Cotman tubes are a reliable, affordable option for anyone looking to build a versatile palette without compromise.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Ultramarine [Blue]

Pigment code
PB29
Type
inorganic
Chemical name
complex silicate of sodium and aluminum with sulfur
Chemical formula
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity
Ultramarine has no significant hazards.
History
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Description
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.

Lithopone

Pigment code
PW5
Type
inorganic
Chemical name
coprecipitated zinc sulphide and barium sulphate
Chemical formula
Zn + BaSO4
Properties
Lithopone is a low tinting strength, semi-transparent white pigment that is often used as a filler or extender in other colors, or as the base for laked pigments.
Permanence
Lithopone is absolutely permanent and lightfast.
Toxicity
Lithopone is not toxic.
History
Lithopone was discovered by G.F. de Doubet in 1850. It was developed commercially in the 1870s as a substitute or supplement for lead carbonate, to overcome the many shortcomings of white lead pigment, including toxicity, poor weathering, and darkening in the presence of sulfur compounds. It is used most often in interior paints and enamels. Its use as a white pigment has been superceeded in many applications by titanium dioxide.
Description
Transparent White.

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