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Golden Fluid Acrylics - Viridian Green Historical Hue, 4 oz bottle

Fluid Acrylic

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  • Blick Art Materials
    $14.06 USDShop
    Recorded Oct 22, 2026, 4:18 AM UTC

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Product details
Size
118 ml
Blick SKU
00638-7194
About this product range
  • Professional quality
  • Comparable pigment load to Golden Heavy Body Acrylics
  • 100% acrylic emulsion; no fillers, dyes, or opacifiers
  • Intense, permanent colors with a smooth, fluid consistency
  • Excellent lightfastness
  • Made in the USA

Golden Fluid Acrylics deliver strong, permanent color in a creamy, pourable consistency that artists love. Formulated with pure lightfast pigments and no added fillers or extenders, these paints offer the same pigment load as Golden’s Heavy Body line—but with a smooth, fluid flow perfect for a wide range of techniques.

Enjoy vibrant color and fine dispersion whether you’re brushing, spraying, staining, or blending with other Golden products. Fluid Acrylics mix easily with mediums for custom effects and adhere well to canvas, paper, fabric, and more. Flexible and durable when dry, they’re an excellent choice for artists who want maximum color with effortless application.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Burnt Umber

Pigment code
PBr7
Type
earth
Chemical name
iron oxides with manganese silicates or dioxide
Chemical formula
Fe2O3,MnO2 or Fe2O3+MnO2+nH2O+Si+Al2O3
Properties
Burnt Umber is a more intense reddish brown pigment that results from heating the clay pigment Raw Umber. It has medium to excellent tinting strength and high opacity, and it is quick drying in oil form. Burnt Umber is somewhat more transparent than Raw Umber. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It can tend towards chalkiness in dark mixes in oil form, but overall it mixes well with other colors. To create a black color in oil form, mix Burnt Umber with Phthalo Blue or Ultramarine. To achieve a similar color in watercolor form, mix it with Ultramarine or Payne's Gray.
Permanence
Burnt Umber has good permanence.
Toxicity
Burnt Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
History
This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
Description
Chestnut Brown, Euchrome, Jacaranda Brown, Mars Brown, Mineral Brown, Raw Brown, Spanish Brown, Van Dyke Umber. Cyprus Umber, Turkey Brown, and Turkey Umber are the best quality umbers.

Phthalo Blue

Pigment code
PB15:3
Type
organic
Chemical name
beta copper phthalocyanine
Chemical formula
C32H16CuN8
Properties
Phthalo Blue PB15:3 is a structural variant of Phthalo Blue PB15 that produces more greenish tones.
Permanence
Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Toxicity
Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
History
Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
Description
Phthalo Blue Green Shade, Winsor Blue Green Shade

Zinc White

Pigment code
PW4
Type
inorganic
Chemical name
zinc(II)-oxide
Chemical formula
ZnO
Properties
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Permanence
Zinc White has great permanence and lightfastness.
Description
Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.

Nickel Azo Yellow

Pigment code
PY150
Type
inorganic
Chemical name
nickel azomethine yellow
Chemical formula
C30H18Cl2N6NiO4
Properties
Nickel Azo Yellow is a transparent, moderately staining yellow pigment with high tinting strength. It is considered a good color match in botanical and landscape painting for natural gamboge (NY24), a historic yellow pigment with fair to poor lightfastness.
Permanence
Nickel azomethine yellow has excellent lightfastness.
Toxicity
Nickel azo yellow pigment is mildly toxic, and is often labeled as hazardous. Avoid respiratory and skin exposure to pigment dust. It should be disposed of properly with other hazardous wastes, not washed down the sink.
History
Nickel azomethine yellow has been developed as an artist pigment becasue it is a close match for gamboge, a historic yellow.
Description
Gamboge Hue, New Gamboge.

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