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Winsor & NewtonPaints

Winsor & Newton Professional Watercolor - Sepia, 14 ml Tube

Watercolor

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  • Blick Art Materials
    $12.33 USDShop
    Recorded Oct 22, 2026, 2:46 AM UTC

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Product details
Size
14 ml
Blick SKU
00319-8082
About this product range
  • The trusted choice of professional watercolorists since 1832
  • Expansive range of 100+ colors
  • Majority single-pigment formulations for optimal mixing
  • Lightfast, permanent, and tested for color strength

Winsor & Newton Professional Watercolor Tubes are renowned for their enduring quality and heritage dating back to 1832. Trusted by renowned artists like John Singer Sargent, these watercolors combine historical recipes with modern advancements in pigment technology. Powerful, luminous, and unparalleled in their clarity, an expansive range of over 100 colors allows artists to create a palette that best suits their work.

Individually crafted for optimal pigment dispersion, over half the range features single-pigment formulations for predictable and accurate color mixtures. Colors are thoroughly tested for lightfastness and tint strength to ensure your work remains vibrant over time. A range of granulating colors allows artists to achieve beautiful textures that can be maximized through mixing.

__Cadmium-Free__-Formulated by chemists and approved by artists, these new paints deliver the same cadmium color strength, vibrancy, transparency, and lightfastness you expect, but without the cadmium.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Red Iron Oxide

Pigment code
PR101
Type
earth, synthetic
Chemical name
iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
Chemical formula
Fe2O2 or Fe2O3 x H2O
Properties
Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
Permanence
Red iron oxide is very lightfast with excellent permanence.
Toxicity
Red iron oxide has no significant hazards.
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
Description
Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.

Lamp Black

Pigment code
PBk6
Type
inorganic
Chemical name
carbon
Chemical formula
C
Properties
Lamp black is a very opaque, heavily staining black pigment that does not have much covering power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures, is one of the slowest drying pigments in oils, and should not be used under other colors.
Permanence
Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.
Toxicity
Lamp Black is slightly toxic by skin contact and inhalation. It is a possible human carcinogen.
History
Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It is the black found in Egyptian murals and tomb decorations and was the most popular black for frescoing until the development of Mars Black.
Description
Carbon Black, Channel Black, Oil Black, Vegetable Black. Flame Black is an impure version of Lamp Black.

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