REAL PRICE DROPS. NO TRASH DEALS.
Art supplies for less, measured against prices we’ve actually recorded.
Supplies
Taking a look on the shelf…
FIELD NOTES / MEET YOUR SUPPLY SCOUT
A collector.
Not a gatekeeper.
Snag has a nose for art supplies and no use for pretend bargains. He scouts out the materials you want, with a notebook that tells you what we actually know.
Rummage the shelf
THE SCOUT’S CODE
Small paws.
Clear ground rules.
- 01
Keep the source.
Real retailer listings. Exact products and variants. A missing price stays missing.
- 02
Show the evidence.
Undated imports are catalog snapshots, not live prices. Dated history begins with a successful retailer check.
- 03
Never invent the drop.
One checked price is one observation, not a trend. Undated snapshots never become price drops or target alerts.
Your ArtSnag account
Snag’s Finds
Tools, color and paper, gathered by the way you like to make. Editorial selections, not a discount ranking.
Golden Heavy Body Artist Acrylics - Neutral Gray N6, 32 oz Jar
Heavy Body Artist Acrylic Paint
Recorded retailer price · not live
$62.99
Blick Art Materials · recorded 2026-10-21T13:39:45.363801000Z
Price tracking and alerts are coming soon. Saving an item does not start monitoring.
Product details
- Size
- 946 ml
- Blick SKU
- 00620-2587
About this product range
- Renowned professional quality
- Pure pigments in high concentrations
- 100% acrylic emulsion; no fillers, dyes, or opacifiers
- Highly lightfast and permanent
- Made in the USA
For artists seeking brilliant color, rich textures, and lasting performance, Golden Heavy Body Acrylic Colors are among the world’s very best. Golden's original acrylic line, the Heavy Body range includes the widest selection of single pigment colors in an acrylic format. Custom-milled to bring out the best qualities of each pigment, the resulting range includes glossy, transparent, matte, and opaque finishes—100% free from fillers or matting agents. The result? Complete color clarity and purity, straight from the tube.
Celebrated for their ability to hold brushstrokes and palette knife textures, these colors can also be extended with mediums for luminous, fluid glazes. No matter your technique, Golden Heavy Body Acrylics deliver reliable performance and striking results.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Titanium White
- Pigment code
- PW6
- Type
- inorganic
- Chemical name
- titanium dioxide
- Chemical formula
- TiO2
- Properties
- Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
- Permanence
- Titanium White has excellent permanence and lightfastness.
- Toxicity
- Titanium dioxide is highly stable and is regarded as non-toxic.
- History
- Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Burnt Sienna
- Pigment code
- PBr7
- Type
- earth
- Chemical name
- iron oxides
- Chemical formula
- Fe2O3
- Properties
- Burnt Sienna is a warm, mid-brown color formed by burning the yellow-brown limonite clay called Raw Sienna. It ranges from semi-opaque to semi-transparent due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone. It is an excellent mixing complement for blues and greens and creates salmon or peach colored tints when mixed with white. It can be useful for subduing bright colors and does not get chalky in dark mixtures.
- Permanence
- Burnt Sienna has good permanence and is considered one of the most versatile of the permanent pigments.
- Toxicity
- Burnt Sienna has no significant hazards.
- History
- Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from the city of Siena, in Italy, and is short for terra di Siena, meaning earth of Siena. Sienna was famous for the mining and production of earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia.
- Description
- Caput Mortuum, Italian Earth, Natural Brown Iron Oxide, Sienna, Spanish Red, Vandyke Brown.
Ivory Black
- Pigment code
- PBk9
- Type
- charred animal bone
- Chemical name
- carbon + calcium phosphate
- Chemical formula
- C + Ca3(PO4)2 or C x CaPO4
- Properties
- Ivory Black is a cool, semi-transparent blue-black with a slight brownish undertone and average tinting strength. It mixes well with any color, and creates a range of dull greens when mixed with yellow. It has good properties for use in oil, can be slow to dry in oil form, and should never be used in underpainting or frescoing. Ivory Black is denser than Lamp Black.
- Permanence
- Ivory Black is very lightfast and has good permanence, though it is considered the least permanent of the major black pigments.
- Toxicity
- Ivory Black has no significant hazards.
- History
- Ivory Black is a carbon based black first named as Elephantium, and described in the 4th century BCE as produced by heating ivory scraps in clay pots to reduce the ivory or bone to charcoal. The deviation in names is because the more expensive varieties of this pigment were made by burning ivory, and the less expensive ones by burning animal bone. In the 19th century, the name Ivory Black was finally permitted to be applied to Carbon Black pigments made from bone. True Ivory Black is rare in modern times due to the protection of ivory, and the synthetic variety produced today was discovered in 1929. Bone Black is produced as an industrial pigment.
- Description
- Animal Black, Blue Black, Bone Black. Paris Black is an inferior grade of Ivory Black. Incorrectly labeled as Frankfort Black.
Related supplies
- Golden Heavy Body Artist Acrylics - Neutral Gray N8, 32 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N2, 32 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N2, 8 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N3, 32 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N4, 8 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N4, 32 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N5, 32 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N5, 8 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N6, 8 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N7, 32 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N7, 8 oz Jar
- Golden Heavy Body Artist Acrylics - Neutral Gray N6, 2 oz Tube