Liquitex Acrylic Gouache - Peach, 59 ml

Name: Liquitex Acrylic Gouache - Peach, 59 ml
Brand: Liquitex

Acrylic Gouache

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$10.00

Blick Art Materials · recorded Oct 22, 2026, 3:48 AM UTC

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Product details

Size: 59 ml
Blick SKU: 00795-3353

About this product range

Professional quality
50 brilliant, opaque matte colors
Maximum pigment concentrations
Self-levels to a smooth, glare-free finish
Excellent lightfastness
Made in France

Liquitex Professional Acrylic Gouache combines the qualities of traditional gouache with the benefits of an acrylic. The archival-quality paint is perfect for mixed media works and alternate surfaces, as well as for color blocking, layering, illustration, and design.

The colors are highly opaque, lightfast, and vibrant — they contain the highest concentration of pigment Liquitex has used. They're also water-resistant when dry.

The colors dry quickly to a permanent, flat matte finish — no brush strokes, reflections, or cracks. Yet they have a creamy, fluid texture with no drag, so you don't have to add water for them to be workable, diluting color vibrancy in the process.

Liquitex worked with artists to create new, ergonomic paint bottles for this line. They're reusable, recyclable, easy to squeeze, and don't have corners, so paint won't get trapped and go to waste. Artists can also stack them on top of each other! The bottles have screw-off tops and extra-wide necks for easy access to the paint. They also have tapered nozzles with a variety of cut marks.

All colors are AP approved and safe for artists.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Transparent Pyrrole Orange

Pigment code: PO73
Type: organic, aminoketone
Chemical name: dipyrrolopyrrol
Properties: Transparent Pyrrole Orange is a yellow-shade orange with optimum performance; high saturation and excellent durability, excellent bleed resistance, and intrinsic strength coupled with good opacity and moderate rheology. It is semi-opaque, less opaque than Cadmium Orange.
Permanence: Transparent Pyrrole Orange has been demonstrated to have excellent stability and lightfastness in automotive applications.
Toxicity: The Australian government's Department of Health and Aging, reported in its Summary Report: NA/238 that "Irgazin DPP Orange 16AOA is likely to be of low oral and dermal toxicity in humans and to be non irritating or very slightly irritating to the ey
History: Irgazin Orange was developed as a lead-free alternative opaque orange pigment. It is used in decorative, industrial, and automotive applications, often to color plastics and polymers.
Description: Irgazin Orange, Bright Orange, Aritint Ornage, Unisphere DPP Orange, Dipyrrolopyrrol Orange

Hansa Yellow

Pigment code: PY74
Type: monoazo
Chemical formula: C18H18N4O6
Properties: Pigment PY74 is one of the most commercially important pigments of the Hansa Yellow group, considered superior to many others in its class based on both tinting strength and lightfastness. Several PY74 grades with different particle sizes are available. Grades with finer particle size are more brilliant and transparent. Pigment PY74 ranges from reddish yellow to greenish yellow, with temperature shifts from cool to warm hues. It has high tinting strength and average to slow drying time.
Permanence: This Hansa Yellow has better lightfastness that other yellow monoazo pigments, particularly in the darker shades.
Toxicity: Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.
History: Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.
Description: Arylide, Arylide Yellow, Azo, Brilliant Yellow, Monoazo, Monolite Yellow, Permanent Yellow.

Titanium White

Pigment code: PW6
Type: inorganic
Chemical name: titanium dioxide
Chemical formula: TiO2
Properties: Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence: Titanium White has excellent permanence and lightfastness.
Toxicity: Titanium dioxide is highly stable and is regarded as non-toxic.
History: Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.