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QoR Modern Watercolors - Naples Yellow, 11 ml tube

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$9.93

Blick Art Materials · recorded Oct 21, 2026, 11:03 AM UTC

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Product details
Size
11 ml
Blick SKU
01773-4141
About this product range
  • Professional quality
  • High pigment loads
  • Maximum color intensity
  • Aquazol binder enhances flow and luminosity
  • Exceptional lightfastness and durability
  • Made in the USA

QoR Modern Watercolors by Golden are a contemporary range designed to deliver unmatched brilliance and depth. Formulated with an exclusive Aquazol binder, these colors maintain vivid, luminous color even after drying and offer a greater pigment load than traditional watercolors. With 95+ lightfast colors, QoR combines the transparency, flow, and layering potential watercolorists love with the intensity and durability of acrylic or oil.

Beyond enhancing color brilliance, the Aquazol binder facilitates smooth transitions and provides excellent resistance to cracking and flaking, offering more flexibility on paper. Each color uses pure, high-quality pigments selected for their exceptional lightfastness, and the entire range (except Ivory Black 505) is vegan, using a synthetic substitute for ox gall.

Made in the USA, QoR is perfect for artists seeking bold color, flexibility, and reliable performance in every brushstroke.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Lamp Black

Pigment code
PBk7
Type
inorganic
Chemical name
carbon
Chemical formula
C
Properties
Lamp black is a very opaque, heavily staining black pigment that does not have much covering or tinting power. It is typically the most opaque black in watercolor form. Though a very pure black, it tends to muddy slightly in mixtures. Natural sources may be brownish or bluish in tone because of impurities. When used in oil paints, it is one of the slowest drying pigments, and should not be used in underpainting or applied in layers underneath other colors.
Permanence
Lamp Black is very lightfast and absolutely permanent. It is used in all techniques in permanent painting.
Toxicity
Carbon itself is not considered hazardous, however other combustion products that are hazardous are often present as impurities when Lamp Black is produced from natural materials. For this reason, commercial preparations of the pigment should be considered slightly toxic. Avoid skin contact and inhalation. Where such impurities are present, Lamp Black is a possible human carcinogen.
History
Lamp Black is a carbon based black traditionally produced by collecting soot (known as lampblack) from oil lamps. It has been used as a pigment since prehistoric times. It is the black found in Egyptian murals and tomb decorations and was the most popular black for fresco painting until the development of Mars Black.
Description
Carbon Black, Channel Black, Furnace Black, Oil Black, Vegetable Black. Flame Black is an impure version of Lamp Black. An alternate spelling is Lampblack, in which the first syllable is stressed and the two words are elided to form a closed compound.

Chrome Antimony Titanate

Pigment code
PBr24
Type
inorganic
Chemical name
chrome antimony titanate
Properties
Chrome Antimony Titanate is a staining, opaque yellowish brown pigment. It is often used to replace the original Naples Yellow or Chrome Yellow, both of which are highly toxic pigments.
Permanence
Chrome Antimony Titanate has excellent lightfastness and weatherfastness.
Toxicity
Chrome Antimony Titanate has negligible acute toxicity. In testing with rabbits, it was shown to be minimally irritating to the skin and eyes. Since it has the hexavalent structure of a chromium yellow, whether Chrome Antimony Titanate is a potential carcinogen.
History
Chrome Antimony Titanate is used in ceramics, plastics, and industrial coatings.
Description
Chrome Antimony Titanium Buff Rutile, Chrome Titanate, Chrome Titanate Brown

Zinc White

Pigment code
PW4
Type
inorganic
Chemical name
zinc(II)-oxide
Chemical formula
ZnO
Properties
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Permanence
Zinc White has great permanence and lightfastness.
Description
Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.

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