Blockx Artist Oil Color - Capucine Yellow Deep, 35 ml tube

Oil Color

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$22.05

Blick Art Materials · recorded Oct 21, 2026, 9:38 AM UTC

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Product details
Size
35 ml
Blick SKU
01574-4320
About this product range
  • Legendary professional-quality oil colors
  • Majority of range is mono-pigment
  • High pigment loads and the finest linseed/poppyseed oils
  • Maximum tint strength and lightfastness
  • Stone ground for optimal pigment integrity

Family-made in Belgium for over 140 years, Blockx Oil Colors are hand-ground up to four times on slowly rotating stone mills for perfect pigment integrity and the purest possible color experience. This time-honored production method results in a range of luminous, ultra-smooth oil colors that rank among the world’s very best.

Still crafted using Jacques Blockx’s original formulas, maximum concentrations of the purest pigments guarantee unparalleled brilliance. Iron oxides, earths, and blacks are ground with linseed oil — the rest of the range is ground with non-yellowing poppyseed oil, which results in noticeably brighter, more intense color and cleaner mixtures.

Entirely free of additives or fillers, Blockx Oil Colors carry the highest possible lightfastness ratings. The range consists primarily of single-pigment colors, and each is meticulously tested to uphold the legendary quality that has attracted artists like René Magritte, Salvador Dalí, and Frank Stella. Historical pigments — including Vermilion, Naples Yellow (Light and Dark), and Lapis Lazuli — expand the range for those seeking timeless hues.

An investment in Blockx means investing in the very finest materials for your art, safeguarding its integrity for generations to come.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Perylene Red

Pigment code
PR149
Type
organic, anthraquinone
Chemical formula
C40H26N2O6
Properties
Perylene Red is a moderately intense, semi-opaque, medium red pigment, appearing somewhere between a Cadmium Red and a Cadmium Deep Red hue. It has excellent brightness and tinting strength. Its partial transparency makes it useful as a glazing color.
Permanence
Perylene Red has good lightfastness and permanence. Its tints may darken after extended exposure to sunlight. It is not considered suitable for exterior use.
Toxicity
Perylene Red has no significant acute toxicity. Its long term hazards are currently unknown.
History
Perylenes have been used as vat dyes since 1912, but they were not manufactured and sold as pigments until 1957. For artists, they are a replacement for historic colors that were made with berries, and are significantly more lightfast.
Description
Perylene Scarlet

Red Iron Oxide

Pigment code
PR101
Type
earth, synthetic
Chemical name
iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
Chemical formula
Fe2O2 or Fe2O3 x H2O
Properties
Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
Permanence
Red iron oxide is very lightfast with excellent permanence.
Toxicity
Red iron oxide has no significant hazards.
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
Description
Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.

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