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AmsterdamPaints

Amsterdam Standard Series Acrylic - Ultramarine, 20 ml Tube

Acrylic

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  • Blick Art Materials
    $5.19 USDShop
    Recorded Oct 21, 2026, 11:00 AM UTC

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Product details
Size
20 ml
Blick SKU
00643-5232
About this product range
  • Bold, versatile acrylics for artists at any level
  • 102 modern and traditional colors
  • High-grade pigments and 100% acrylic emulsion
  • Balanced body retains subtle texture
  • Excellent lightfastness and long-term durability

Amsterdam Standard Series Acrylics combine brilliant color, great handling, and exceptional flexibility for artists at any stage, from students and hobbyists to seasoned pros. Available in 102 colors, including both modern and traditional pigments, you’ll find a wide range of opacities—perfect for layering, glazing, and precise color control.

These medium-viscosity paints offer an easy, consistent flow straight from the tube. Their smooth, full bodied texture holds expressive brushwork and subtle textures beautifully. Use them on their own or extend their versatility with your favorite acrylic mediums. Known for excellent lightfastness and durability, these paints are built to perform across all painting styles and techniques, from fine art to murals, illustration, and mixed media.

Proudly made in the Netherlands.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Ultramarine [Blue]

Pigment code
PB29
Type
inorganic
Chemical name
complex silicate of sodium and aluminum with sulfur
Chemical formula
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity
Ultramarine has no significant hazards.
History
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Description
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.

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