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Sennelier Oil Pastel - Sap Green Light

Oil Pastel

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$3.80

Blick Art Materials · recorded Oct 21, 2026, 7:23 AM UTC

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Product details
Blick SKU
20038-7081
About this product range
  • Professional quality
  • Pure pigments, synthetic binder, pH-neutral mineral wax
  • Rich, lipstick soft texture
  • Brilliant, lightfast, and highly opaque
  • Individually wrapped sticks: 2-5/8"L × 3/8 "Dia
  • Made in France

Sennelier Oil Pastels are a benchmark in the art world: lipstick soft, highly pigmented pastels made in France with the same top-quality components found in all Sennelier colors.

Developed in collaboration with Pablo Picasso, they combine pure pigments, an exceptionally pure synthetic binding medium, and pH-neutral mineral waxes to create an oil pastel unlike any other.

Each stick is packed with an extraordinarily high pigment load, giving it superior covering power, exceptional brightness, and a high degree of lightfastness (with the exception of metallic and fluorescent colors).

The balance of wax and binder results in a uniquely rich, smooth texture that allows artists to work with freedom, whether creating thin veils of color or bold, impasto-like strokes.

The binder is inert and non-siccative, meaning it won’t oxidize, crack, or alter over time. Combined with mineral wax, this ensures excellent surface stability and makes blending and layering effortless.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Phthalo Green

Pigment code
PG7
Type
organic
Chemical name
polychlorinated copper(II) phthalocyanine
Chemical formula
C32H3Cl13CuN8 to C32HCl15CuN8 or C32H16CuN8Cl15 (PG7) or C32Br6Cl10CuN8 (PG36)
Properties
Phthalo Green is a transparent, cool, bright, high intensity color used in oil and acrylics. It comes from a Phthalocyanine Blue pigment where most of the hydrogen atoms have been replaced with chlorine, forming highly stable molecules. It has similar pigment properties and permanence to Phthalo Blue. It is slow drying and an excellent base color for mixing a range of bright greens. Phthalo Green is considered a very good alternative to Viridian because it is intense and mixes well and can be used to emphasize mineral colors in various tints. However, its tinting strength is very high, so it can overpower other colors. This pigment most closely resembles the discontinued and toxic Verdigris.
Permanence
Phthalo Greens are completely lightfast and resistant to alkali, acids, solvents, heat, and ultraviolet radiation. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Description
Bocour Green, Cyan Green, Intense Green, Monastral Green, Phthalocyanine Green BS, Rembrandt Green, Thalo Green, Winsor Green.

Titanium White

Pigment code
PW6
Type
inorganic
Chemical name
titanium dioxide
Chemical formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as non-toxic.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.

Phthalo Blue

Pigment code
PB15:3
Type
organic
Chemical name
beta copper phthalocyanine
Chemical formula
C32H16CuN8
Properties
Phthalo Blue PB15:3 is a structural variant of Phthalo Blue PB15 that produces more greenish tones.
Permanence
Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
Toxicity
Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
History
Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
Description
Phthalo Blue Green Shade, Winsor Blue Green Shade

Natural Light Red Iron Oxide

Pigment code
PR102
Type
inorganic, natural
Chemical name
iron oxide
Chemical formula
Fe2O2
Properties
Natural Light Red Iron Oxide is a brick red pigment with a bright, scarlet top tone. Mineral sources vary considerably in both hue and transparency. It is generally opaque and has great tinting strength and hiding power, but more transparent versions are available. It creates salmon pinks when mixed with white. Natural Light Red Iron Oxide is often replaced by Mars colors or bright red oxides, which are cleaner and more powerful.
Permanence
Natural Light Red Iron Oxide has excellent permanence and lightfastness.
Toxicity
Natural Light Red Iron Oxide has no significant hazards.
History
Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
Description
Antwerp Red, Bole, Light Red, Colcothar, English Red, Morelle Salt, Persian Red, Persian Gulf Oxide, Poliment, Pompeian Red, Prussian Brown, Prussian Red, Red Iron Oxide, Sinopia, Spanish Red, Turkey Red.

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