
Product details
- Size
- 237 ml
- Blick SKU
- 00616-4341
About this product range
- Professional quality
- 99 brilliant colors
- Maximum pigment loads
- Minimal color shift from wet to dry
- Balanced flow supports glazing, layering, and knife work
- Excellent color clarity in thin films and glazes
Liquitex Professional Soft Body Acrylics deliver rich, permanent color in a low-viscosity formula made for versatility. Originally developed as the first water-based acrylic in 1955, this modern version offers a smooth, flowing consistency that’s perfect for fine detail, staining, watercolor-style washes, and fluid techniques like pouring and glazing.
Each color contains high pigment concentrations and a flexible acrylic binder that ensures excellent adhesion and surface integrity. The low-drip formula allows for precision in brushwork or pouring, and it dries to a consistent satin finish with minimal color shift.
Compatible with all Liquitex mediums and acrylic formats, Soft Body Acrylics are ideal for traditional painting, mixed media, and experimental applications where fluidity and control matter.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Mars Black
- Pigment code
- PBk11
- Type
- earth
- Chemical name
- iron oxides
- Chemical formula
- FeO or Fe2O3
- Properties
- Mars Black is an opaque black with a strong and cool masstone, a slightly warm tint, and a warm brown undertone. It is not as black as Ivory Black, but it dries more quickly and has three times the tinting strength. Mars Black is normally the only black available in acrylic form and that is safe to over paint. It can be used in all media without reservation and is widely used as an alternative to Lamp Black and Ivory Black.
- Permanence
- Mars Black is very lightfast with excellent permanence.
- Toxicity
- Mars Black has no significant hazards and is the only major black pigment considered non-toxic.
- History
- The word Mars refers to the Roman god of iron and war. Mars Black was developed in the early 20th century from inorganic, synthetic iron oxide.
- Description
- Black Iron Oxide, Iron Black, Magnetic Oxide, Mapico Black, Mineral Black. Sometimes labeled as Vine Black.
Titanium White
- Pigment code
- PW6
- Type
- inorganic
- Chemical name
- titanium dioxide
- Chemical formula
- TiO2
- Properties
- Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
- Permanence
- Titanium White has excellent permanence and lightfastness.
- Toxicity
- Titanium dioxide is highly stable and is regarded as non-toxic.
- History
- Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
Yellow Iron Oxide
- Pigment code
- PY42
- Chemical name
- iron(III)-oxide, hydrated
- Chemical formula
- Fe2O3 • H2O
- Properties
- Yellow Ochre provides artists with earthtones from cream to brown. It has good hiding power, produces a quick drying paint, and can be safely mixed with other pigments. Its transparency varies widely from opaque shades to more transparent ones, which are valued for their use as glazes. If gypsum is present, Yellow Ochre is not suitable for frescoing. (See Brown Ochre, PY43.) PY42 is made from synthetic iron oxides. PY43 is made from natural iron oxide.
- Permanence
- Yellow Ochre has excellent permanence because ochres are some of the most permanent pigments available.
- History
- Ochre comes from the Greek word ochros, meaning pale yellow. It was one of the first pigments to be used by human beings, and evidence of its use has been found at 300,000 year old sites in France and the former Czechoslovakia.
- Description
- Chamois, Iron Yellow, Mars Orange, Mars Yellow, Minette, Ochre, Sil, Yellow Earth, Yellow Ochre, Yellow Oxide. Varieties of Yellow Ochre include Brown Ochre, Flesh Ochre, Roman Ochre, Spruce Ochre, and Transparent Gold Ochre.
Red Iron Oxide
- Pigment code
- PR101
- Type
- earth, synthetic
- Chemical name
- iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
- Chemical formula
- Fe2O2 or Fe2O3 x H2O
- Properties
- Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
- Permanence
- Red iron oxide is very lightfast with excellent permanence.
- Toxicity
- Red iron oxide has no significant hazards.
- History
- Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
- Description
- Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.
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