Daniel Smith Extra Fine Watercolor - Shadow Violet, 15 ml Tube

Name: Daniel Smith Extra Fine Watercolor - Shadow Violet, 15 ml Tube
Brand: Daniel Smith

Extra Fine Watercolor

$14.57

Blick Art Materials · recorded Oct 22, 2026

View at Blick Art Materials

Product details

Size: 15 ml
Blick SKU: 01767-1200

About this product range

Professional-quality
Widest color range available on the market
Maximum pigment loads
Excellent lightfastness
Natural granulation and distinctive pigment properties
Handmade in the USA

Daniel Smith Extra Fine Watercolors offer exceptional vibrancy, versatility, and performance trusted by professional artists worldwide. Crafted with pure, finely ground pigments and a gum arabic binder, each color delivers rich, luminous washes, remarkable blending, and stunning transparency or granulation—depending on the pigment’s natural properties.

Whether you're working with historical earth tones, intense quinacridones, or mineral-based PrimaTek colors, each tube provides a unique painting experience. These watercolors are rigorously tested to ensure consistent pigment load, exceptional lightfastness, and true-to-tube quality every time.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Transparent Pyrrole Orange

Pigment code: PO73
Type: organic, aminoketone
Chemical name: dipyrrolopyrrol
Properties: Transparent Pyrrole Orange is a yellow-shade orange with optimum performance; high saturation and excellent durability, excellent bleed resistance, and intrinsic strength coupled with good opacity and moderate rheology. It is semi-opaque, less opaque than Cadmium Orange.
Permanence: Transparent Pyrrole Orange has been demonstrated to have excellent stability and lightfastness in automotive applications.
Toxicity: The Australian government's Department of Health and Aging, reported in its Summary Report: NA/238 that "Irgazin DPP Orange 16AOA is likely to be of low oral and dermal toxicity in humans and to be non irritating or very slightly irritating to the ey
History: Irgazin Orange was developed as a lead-free alternative opaque orange pigment. It is used in decorative, industrial, and automotive applications, often to color plastics and polymers.
Description: Irgazin Orange, Bright Orange, Aritint Ornage, Unisphere DPP Orange, Dipyrrolopyrrol Orange

Ultramarine [Blue]

Pigment code: PB29
Type: inorganic
Chemical name: complex silicate of sodium and aluminum with sulfur
Chemical formula: Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties: Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence: Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity: Ultramarine has no significant hazards.
History: The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Description: Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.

Viridian

Pigment code: PG18
Type: inorganic
Chemical name: chromium(III)-oxide dehydrate
Chemical formula: Cr2O3 • 2 H2O or Cr2(OH3)
Properties: Viridian is the standard green and is stable, powerful, and cold with an emerald green undertone. It has a transparent hue, good tinting strength, a dark masstone that can be almost black at full strength, and a slow drying time in oil form. Viridian is commonly replaced by the darker, more saturated, and staining Phthalo Greens, but its properties make it a necessary part of the palette of an experienced landscape painter.
Permanence: Viridian has excellent permanence, except in high-temperature work, and is highly valued as a glazing color.
Toxicity: Viridian is slightly toxic.
History: Viridian’s name comes from the Latin viridis, meaning green. The process for manufacturing Viridian, or Transparent Oxide of Chromium, was patented by Guignet in Paris in 1859. However, it had actually been discovered by Pannetier and Binet in 1838. Viridian replaced Verdigris, which was reactive and unstable, and Emerald Green, which was a poisonous copper aceto-arsenite used as a rat poison in the sewers of Paris.
Description: Emerald Chromium Oxide, Emeraude Green, French Veronese Green, Guignet’s Green, Pannetier's Green, Permanent Green, Smaragd Green, Transparent Oxide of Chromium, Vert Emeraude. Casali's Green and Mittler's Green are varieties of Viridian. Viridian has historically been sold under the name Emerald Green, but they are currently considered to be and are marketed as two different pigments.