M. Graham Artists' Oil Color - Ivory Black, 37 ml tube

Artists' Oil Colors

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$11.04

Blick Art Materials · recorded 2026-10-21T10:02:22.338513000Z

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Product details
Size
37 ml
Blick SKU
01573-2253
About this product range

Artist and master paintmaker Art Graham put years of experience at other companies behind him and started his own business based on his own vision and values. The result is a paint, manufactured without fillers or additives, that goes back to some of oil painting's finest traditions.

M. Graham Artists' Oil Colors are made with a walnut oil binder, an alternative to traditional linseed oil that's been preferred by artists for centuries. In fact, today it's known that Renaissance masters such as Da Vinci and Durer generally favored walnut oil over linseed oil. Walnut oil provides rich, vibrant color that is naturally more alive and brilliant than traditional linseed oil. Free flowing and slow drying, M. Graham's walnut oil formulation enables delicate passages of finely blended color that retain their brilliance over time. Titanium White and Titanium White-Alkyd are made with a walnut-sunflower oil binder.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Ivory Black

Pigment code
PBk9
Type
charred animal bone
Chemical name
carbon + calcium phosphate
Chemical formula
C + Ca3(PO4)2 or C x CaPO4
Properties
Ivory Black is a cool, semi-transparent blue-black with a slight brownish undertone and average tinting strength. It mixes well with any color, and creates a range of dull greens when mixed with yellow. It has good properties for use in oil, can be slow to dry in oil form, and should never be used in underpainting or frescoing. Ivory Black is denser than Lamp Black.
Permanence
Ivory Black is very lightfast and has good permanence, though it is considered the least permanent of the major black pigments.
Toxicity
Ivory Black has no significant hazards.
History
Ivory Black is a carbon based black first named as Elephantium, and described in the 4th century BCE as produced by heating ivory scraps in clay pots to reduce the ivory or bone to charcoal. The deviation in names is because the more expensive varieties of this pigment were made by burning ivory, and the less expensive ones by burning animal bone. In the 19th century, the name Ivory Black was finally permitted to be applied to Carbon Black pigments made from bone. True Ivory Black is rare in modern times due to the protection of ivory, and the synthetic variety produced today was discovered in 1929. Bone Black is produced as an industrial pigment.
Description
Animal Black, Blue Black, Bone Black. Paris Black is an inferior grade of Ivory Black. Incorrectly labeled as Frankfort Black.

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