ArtSnag
M. GrahamPaints

M. Graham Artists' Oil Color - Ultramarine Blue, 148 ml tube

Artists' Oil Colors

Store price

Listed prices, not live quotes. Check delivery, tax and stock at the shop.

  • Blick Art Materials
    $43.56 USDShop
    Older record · Recorded Oct 21, 2026, 10:02 AM UTC

Saving an item to My Stash does not start price monitoring.

Product details
Size
150 ml
Blick SKU
01573-5235
About this product range

Artist and master paintmaker Art Graham put years of experience at other companies behind him and started his own business based on his own vision and values. The result is a paint, manufactured without fillers or additives, that goes back to some of oil painting's finest traditions.

M. Graham Artists' Oil Colors are made with a walnut oil binder, an alternative to traditional linseed oil that's been preferred by artists for centuries. In fact, today it's known that Renaissance masters such as Da Vinci and Durer generally favored walnut oil over linseed oil. Walnut oil provides rich, vibrant color that is naturally more alive and brilliant than traditional linseed oil. Free flowing and slow drying, M. Graham's walnut oil formulation enables delicate passages of finely blended color that retain their brilliance over time. Titanium White and Titanium White-Alkyd are made with a walnut-sunflower oil binder.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Ultramarine [Blue]

Pigment code
PB29
Type
inorganic
Chemical name
complex silicate of sodium and aluminum with sulfur
Chemical formula
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity
Ultramarine has no significant hazards.
History
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Description
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.

Track this price

New lows for this exact package, across matched retailers.

Loading your account…

Price history

More to explore

Related supplies from the catalog.