Williamsburg Handmade Oil Paints - Naples Yellow Italian, 37 ml tube

Handmade Oil Paint

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$13.29

Blick Art Materials · recorded Oct 21, 2026, 8:22 AM UTC

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Product details
Size
37 ml
Blick SKU
01571-4003
About this product range

Dedicated to handmade integrity, Williamsburg Handmade Oils are crafted by skilled American artisans using top-quality pigments from around the world. Each of the more than 140 colors in the line possesses a unique consistency and texture — some are slightly gritty, while others are extremely smooth. This is what makes Williamsburg Handmade Oils so unique and prized by the painters who choose them.

Colors are made in small batches no larger than five gallons at a time to ensure the highest level of control. Pigments are carefully ground to enhance the beauty and luminosity specific to each, and then combined with pure, premium, alkali-refined and pH-balanced linseed oil. Every ingredient is hand-measured, and every batch is scrutinized for quality.

Most Williamsburg Oils are considered to have excellent lightfastness (LF I), with the exception of Alizarin Crimson and Van Dyke Brown, which have very poor lightfastness (LFIII).

__Special Edition Colors__ — Williamsburg offers four Special Edition iron oxide colors that utilize the same pigments as standard Williamsburg colors, but are milled to a finer consistency to make them suitable for glazing. Transparent Yellow Iron Oxide is based on Stil De Grain, with a dark yellow-brown masstone that gives way to amber and light ochre when glazing. Transparent Orange Iron Oxide is based on Italian Pink, and produces a very deep red-orange masstone that results in rich orange-red glazes. Transparent Brown Iron Oxide has its origins in Dutch Brown, and results in translucent brown glazes reminiscent of coffee or tanned leather. Transparent Red Oxide is a finer version of Brown Pink, and results in red tones reminiscent of stained cherry wood when glazing.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Cadmium Yellow

Pigment code
PY35
Type
inorganic, cadmium
Chemical name
cadmium zinc sulfide
Chemical formula
CdZnS
Properties
Cadmium Yellow is brilliant, dense, and opaque, with good tinting strength and very high hiding power. It is the artist's principal bright yellow and is available in light, medium, and dark shades. The deeper shades appear deep orange and have the greatest tinting strength. It is slow-drying in oil form and is used in both oil and watercolor form. A clean Cadmium Orange is created when Cadmium Yellow is mixed with Cadmium Red. Hues vary by brand. Cadmium pigments have been partially replaced by azo pigments, which are similar in lightfastness to the cadmium colors, cheaper, and non-toxic. Cadmium Yellow is usually available in a pure grade, or in a cadmium-barium mix. This mix has the same permanence with a lower tinting strength.
Permanence
Cadmium Yellow is lightfast and permanent in most forms, but like most cadmium colors, it will fade in fresco or mural painting. The deeper shades are the most permanent. The pale varieties have been known to fade with exposure to sunlight in conditions where moisture is able to penetrate the binder.
Description
Aurora Yellow, Cadmium Primrose Yellow, Cadmium Zinc Yellow, Lemon Yellow, Primrose Yellow. Deep Cadmium Yellow is sometimes called Orient Yellow.

Chrome Antimony Titanate

Pigment code
PBr24
Type
inorganic
Chemical name
chrome antimony titanate
Properties
Chrome Antimony Titanate is a staining, opaque yellowish brown pigment. It is often used to replace the original Naples Yellow or Chrome Yellow, both of which are highly toxic pigments.
Permanence
Chrome Antimony Titanate has excellent lightfastness and weatherfastness.
Toxicity
Chrome Antimony Titanate has negligible acute toxicity. In testing with rabbits, it was shown to be minimally irritating to the skin and eyes. Since it has the hexavalent structure of a chromium yellow, whether Chrome Antimony Titanate is a potential carcinogen.
History
Chrome Antimony Titanate is used in ceramics, plastics, and industrial coatings.
Description
Chrome Antimony Titanium Buff Rutile, Chrome Titanate, Chrome Titanate Brown

Titanium White

Pigment code
PW6
Type
inorganic
Chemical name
titanium dioxide
Chemical formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as non-toxic.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.

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