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ChromaPaints

Chroma Atelier Interactive Artists' Acrylics - Naples Yellow Reddish, 80 ml tube

Interactive Artists' Acrylics

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  • Blick Art Materials
    $7.93 USDShop
    Recorded Oct 22, 2026, 12:38 AM UTC

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Product details
Size
80 ml
Blick SKU
01616-4158
About this product range

Paint fast or paint slow with Chroma Atelier Interactive Acrylics!

Formulated using a patented technology, Atelier Interactive Acrylics offer artists a versatile set of working properties unlike those of any other paint. In application, they perform like conventional acrylics, allowing for traditional painting and glazing techniques. Yet they also give you unique control over the drying process — plus the ability to reactivate the paint, even when dry.

Professional-quality Atelier Interactive Acrylics are lightfast and archival, with exceptional consistency, brushability, and color load. They dry to a velvety satin finish. When purchased in 80 ml tubes, they offer one-third more paint than standard 60 ml tubes — and often costs less.

Visit the Resources tab of this page for additional information and technique instruction sheets.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Titanium White

Pigment code
PW6
Type
inorganic
Chemical name
titanium dioxide
Chemical formula
TiO2
Properties
Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
Permanence
Titanium White has excellent permanence and lightfastness.
Toxicity
Titanium dioxide is highly stable and is regarded as non-toxic.
History
Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.

Hansa Yellow

Pigment code
PY65
Type
monoazo
Chemical formula
C18H18N4O6
Properties
This Hansa Yellow ranges from reddish yellow to greenish yellow with temperature shifts from cool to warm hues. It has good tinting strength and average to slow drying time.
Permanence
This Hansa Yellow has excellent lightfastness, particularly in the darker shades.
Toxicity
Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.
History
Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.
Description
Arylide, Arylide Yellow, Azo, Brilliant Yellow, Monoazo, Monolite Yellow, Permanent Yellow.

Naphthol Red

Pigment code
PR9
Type
monoazo
Chemical formula
C24H17Cl2N3O3
Properties
This Naphthol Red is a bright deep red with bluish undertones. It has an average drying time.
Permanence
This Naphthol Red has fair to good lightfastness, not because of its masstone, but because it fades in tints. Not suitable for exterior use.
Toxicity
Naphthol Reds are not considered toxic. They may cause eye, skin, or respiratory irritation. Contact with dry pigment should be avoided.
History
Unknown.
Description
Naphthal, Naphthol Bordeaux, Naphthol Carbamide, Naphthol Carmine, Permanent Carmine, Permanent Red.

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