REAL PRICE DROPS. NO TRASH DEALS.
Art supplies for less, measured against prices we’ve actually recorded.
Supplies
Taking a look on the shelf…
FIELD NOTES / MEET YOUR SUPPLY SCOUT
A collector.
Not a gatekeeper.
Snag has a nose for art supplies and no use for pretend bargains. He scouts out the materials you want, with a notebook that tells you what we actually know.
Rummage the shelf
THE SCOUT’S CODE
Small paws.
Clear ground rules.
- 01
Keep the source.
Real retailer listings. Exact products and variants. A missing price stays missing.
- 02
Show the evidence.
Undated imports are catalog snapshots, not live prices. Dated history begins with a successful retailer check.
- 03
Never invent the drop.
One checked price is one observation, not a trend. Undated snapshots never become price drops or target alerts.
Your ArtSnag account
Snag’s Finds
Tools, color and paper, gathered by the way you like to make. Editorial selections, not a discount ranking.
Great American Handmade Pastel - Violet Gray 0, 270.0
Pastel
Recorded retailer price · not live
$4.60
Blick Art Materials · recorded 2026-10-21T12:43:56.792803000Z
Price tracking and alerts are coming soon. Saving an item does not start monitoring.
Product details
- Blick SKU
- 21925-6600
About this product range
Great American Art Works’ owner is a chemist, and his initial research into pastel production focused on the materials and methods of established companies. He soon discovered that old techniques produced old pastels! By employing new materials, techniques, and equipment, he eventually discovered the right combination of ingredients and methods.
Today, Great American Art Works handmade soft pastels are recognized the world over for their excellence. Richly pigmented, these pastels have superb brilliance of tone. The Full Stick pastels measure 1/2" x 2-1/4" (1.7 cm x 5.7 cm), and the Half-Stick pastels measure 1/2" x 1-1/8" (1.7 cm x 2.8 cm). Shapes of pastels may vary.
Sets are designed by accomplished pastel artists, each set is arranged in a reusable cardboard box adorned by artwork inspired by the selection within.
__Try Me sets include a random assortment of pastels selected by Great American Art Works. No two sets will be alike. Color substitutions in other sets may occur at the discretion of Great American Artworks.__
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Calcium Carbonate
- Pigment code
- PW18
- Type
- inorganic
- Chemical name
- calcium carbonate
- Chemical formula
- CaCO3
- Properties
- Calcium carbonate, the mineral constituent of chalk, is a low tinting strength, inexpensive white pigment that is often used is a buffer and filler. Because of its low tinting strength, it is overwhelmed by other colors. It is used in gesso and other coatings to give the surface more tooth, a desirable characteristic for some painting techniques.
- Permanence
- Calcium carbonate is lightfast. Like all carbonates, it reacts with strong acids
- Toxicity
- Calcium carbonate is completely non-toxic, and is used in many food, cosmetic, and pharmaceutical products. However, excessive consumption is not recommended.
- History
- Naturally occuring chalk deposits have been mined since prehistoric times. Rocks and minerals that contain calcium carbonate include aragonite, calcite, vaterite, chalk, limestone. marble, and travertine. Calcium carbonate is the principle component of lime, used in many agricultural and industrial applications.
- Description
- Chalk
Ultramarine [Blue]
- Pigment code
- PB29
- Type
- inorganic
- Chemical name
- complex silicate of sodium and aluminum with sulfur
- Chemical formula
- Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
- Properties
- Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
- Permanence
- Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
- Toxicity
- Ultramarine has no significant hazards.
- History
- The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
- Description
- Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.
Red Iron Oxide
- Pigment code
- PR101
- Type
- earth, synthetic
- Chemical name
- iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
- Chemical formula
- Fe2O2 or Fe2O3 x H2O
- Properties
- Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
- Permanence
- Red iron oxide is very lightfast with excellent permanence.
- Toxicity
- Red iron oxide has no significant hazards.
- History
- Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
- Description
- Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.
Related supplies
- Great American Handmade Pastel - Violet Gray 1, 270.1
- Great American Handmade Pastel - Violet Gray 2, 270.2
- Great American Handmade Pastel - Violet Gray 3, 270.3
- Great American Handmade Pastel - Violet Gray 4, 270.4
- Great American Handmade Pastel - Violet Gray 5, 270.5
- Great American Handmade Pastel - Violet Gray 6, 270.6
- Great American Handmade Pastel - Cindy Winkle 1, 710.1
- Great American Handmade Pastel - Cindy Winkle 2, 710.2
- Great American Handmade Pastel - Cindy Winkle 3, 710.3
- Great American Handmade Pastel - Cindy Winkle 4, 710.4
- Great American Handmade Pastel - Cindy Winkle 5, 710.5
- Great American Handmade Pastel - Iris 0, 720.0