Daniel Smith Watercolor Stick - Ivory Black

SKU 01778-2250

Watercolor Stick

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$9.93

Blick Art Materials · recorded 2026-10-21T14:03:15.877740000Z

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About this product range

- Professional quality - Handmade with pure pigments and gum arabic - 62 brilliant, lightfast colors - Draw, paint, and blend—wet or dry - Perfect for travel and plein air Like a pan in your hand, Daniel Smith Extra Fine Watercolor Sticks deliver pure, professional watercolor in a totally portable, all-in-one format. These sticks are shaped by hand using the same premium pigments and gum arabic binder as Daniel Smith’s classic watercolors, so you get vibrant, lightfast color without any waxes or oils. Activate the stick with water, draw directly on wet or dry paper, or pick up color with a brush—just like a pan. Draw bold lines that blend but don’t easily lift, define contours, or go loose with washes and blends right on the page. With 62 brilliant shades, every stick offers a flexible, compact way to sketch, paint, and layer wherever inspiration strikes. Perfect for studio, plein air, or travel. Made in Seattle, Washington.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Ivory Black

Pigment code
PBk9
Type
charred animal bone
Chemical name
carbon + calcium phosphate
Chemical formula
C + Ca3(PO4)2 or C x CaPO4
Properties
Ivory Black is a cool, semi-transparent blue-black with a slight brownish undertone and average tinting strength. It mixes well with any color, and creates a range of dull greens when mixed with yellow. It has good properties for use in oil, can be slow to dry in oil form, and should never be used in underpainting or frescoing. Ivory Black is denser than Lamp Black.
Permanence
Ivory Black is very lightfast and has good permanence, though it is considered the least permanent of the major black pigments.
Toxicity
Ivory Black has no significant hazards.
History
Ivory Black is a carbon based black first named as Elephantium, and described in the 4th century BCE as produced by heating ivory scraps in clay pots to reduce the ivory or bone to charcoal. The deviation in names is because the more expensive varieties of this pigment were made by burning ivory, and the less expensive ones by burning animal bone. In the 19th century, the name Ivory Black was finally permitted to be applied to Carbon Black pigments made from bone. True Ivory Black is rare in modern times due to the protection of ivory, and the synthetic variety produced today was discovered in 1929. Bone Black is produced as an industrial pigment.
Description
Animal Black, Blue Black, Bone Black. Paris Black is an inferior grade of Ivory Black. Incorrectly labeled as Frankfort Black.

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