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Blick Oil Colors - Rosy Beige, 200 ml tube
Blick Studio Oil Color
Recorded retailer price · not live
$12.70
Blick Art Materials · recorded 2026-10-21T07:25:47.181275000Z
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Product details
- Size
- 200 ml
- Blick SKU
- 01557-3714
About this product range
- Premium student-grade quality
- 49 colors
- Strongly pigmented
- Excellent covering power
- Superb value for artists of all levels
Made using quality ingredients, Blick Studio Oils offer great performance at an affordable Blick price. They're ideal for artists of all levels — students and beginners just learning to paint, advanced artists who want to experiment, and professionals seeking large volumes of color on a limited budget.
Available in a range of 49 colors, Blick Studio Oils are highly pigmented, brilliant, and rich. Ground in a linseed or safflower oil binder, they feature a buttery consistency that allows for application with either a brush or knife, and their covering power is excellent. Stroke for stroke, Blick Studio Oils are one of the best student-grade paints you'll find, and they're backed by our 100% satisfaction guarantee.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Red Iron Oxide
- Pigment code
- PR101
- Type
- earth, synthetic
- Chemical name
- iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide
- Chemical formula
- Fe2O2 or Fe2O3 x H2O
- Properties
- Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixing with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, which is a pigment made from earth reds, or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide.
- Permanence
- Red iron oxide is very lightfast with excellent permanence.
- Toxicity
- Red iron oxide has no significant hazards.
- History
- Natural red iron oxide comes from the mineral ore hematite, called bloodstone by the ancient Greeks from the word hema, meaning blood. It is one of the oldest pigments, has been used by every major civilization, and was an important mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century.
- Description
- Indian Red, Colcothar, English Red, Light Red, Mars Red, Mars Violet, Morelle Salt, Pompeian Red, Indian Red, Red Oxide, Sinopia, Spanish Red, Terra Rosa, Tuscan Red, Venetian Red, Venice Red.
Mars Orange
- Pigment code
- PY42
- Type
- inorganic, earth
- Chemical name
- iron oxide
- Chemical formula
- Fe2O2 or Fe2O3 • H2O
- Properties
- Mars Orange is a bright, extremely light red and appears almost pinkish in contrast with darker colors. It has incredible tinting strength and opacity. The synthetic form of Mars Orange is made from iron oxides and is cleaner, brighter, and denser than its ochre-based counterparts.
- Permanence
- Mars Orange has excellent permanence and lightfastness.
- Toxicity
- Mars Orange has no significant hazards.
- History
- The word Mars refers to the Roman god of iron and war. Mars Orange has been manufactured as a pigment since the 17th century.
Zinc White
- Pigment code
- PW4
- Type
- inorganic
- Chemical name
- zinc(II)-oxide
- Chemical formula
- ZnO
- Properties
- Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
- Permanence
- Zinc White has great permanence and lightfastness.
- Description
- Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.
Titanium White
- Pigment code
- PW6
- Type
- inorganic
- Chemical name
- titanium dioxide
- Chemical formula
- TiO2
- Properties
- Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
- Permanence
- Titanium White has excellent permanence and lightfastness.
- Toxicity
- Titanium dioxide is highly stable and is regarded as non-toxic.
- History
- Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.
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