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Grumbacher Academy Acrylic - Payne's Gray, 75 ml tube
Academy Acrylic
Recorded retailer price · not live
$9.78
Blick Art Materials · recorded 2026-10-21T05:43:37.990854000Z
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Product details
- Size
- 75 ml
- Blick SKU
- 00605-2560
About this product range
Grumbacher Academy Acrylics are a line of collegiate-grade, medium bodied acrylic paints available in an array of brilliant colors, including the most sought-after traditional colors, process colors, metallic colors, and iridescent colors. Developed in collaboration with world-class pigment suppliers, the number of pigments in individual colors are reduced, ensuring cleaner mixes and more accurate color matching without sacrificing tinting strength, opacity, or lightfastness. All colors have an ASTM lightfast rating of ‘Excellent’ and are labeled AP. Academy Acrylics are highly pigmented and offer superior tinting strength at a student-friendly price.
Made in the USA.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Ultramarine [Blue]
- Pigment code
- PB29
- Type
- inorganic
- Chemical name
- complex silicate of sodium and aluminum with sulfur
- Chemical formula
- Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
- Properties
- Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
- Permanence
- Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
- Toxicity
- Ultramarine has no significant hazards.
- History
- The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
- Description
- Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.
Ivory Black
- Pigment code
- PBk9
- Type
- charred animal bone
- Chemical name
- carbon + calcium phosphate
- Chemical formula
- C + Ca3(PO4)2 or C x CaPO4
- Properties
- Ivory Black is a cool, semi-transparent blue-black with a slight brownish undertone and average tinting strength. It mixes well with any color, and creates a range of dull greens when mixed with yellow. It has good properties for use in oil, can be slow to dry in oil form, and should never be used in underpainting or frescoing. Ivory Black is denser than Lamp Black.
- Permanence
- Ivory Black is very lightfast and has good permanence, though it is considered the least permanent of the major black pigments.
- Toxicity
- Ivory Black has no significant hazards.
- History
- Ivory Black is a carbon based black first named as Elephantium, and described in the 4th century BCE as produced by heating ivory scraps in clay pots to reduce the ivory or bone to charcoal. The deviation in names is because the more expensive varieties of this pigment were made by burning ivory, and the less expensive ones by burning animal bone. In the 19th century, the name Ivory Black was finally permitted to be applied to Carbon Black pigments made from bone. True Ivory Black is rare in modern times due to the protection of ivory, and the synthetic variety produced today was discovered in 1929. Bone Black is produced as an industrial pigment.
- Description
- Animal Black, Blue Black, Bone Black. Paris Black is an inferior grade of Ivory Black. Incorrectly labeled as Frankfort Black.
Related supplies
- Grumbacher Academy Acrylic - Payne's Gray, 90 ml tube
- Grumbacher Academy Acrylic - Warm Gray, 75 ml tube
- Grumbacher Academy Acrylic - Warm Gray, 90 ml tube
- Grumbacher Academy Acrylic - Neutral Gray, 75 ml tube
- Grumbacher Academy Acrylic - Neutral Gray, 90 ml tube
- Grumbacher Academy Acrylic - Titanium White, 75 ml tube
- Grumbacher Academy Acrylic - Titanium White, 90 ml tube
- Grumbacher Academy Acrylic - Unbleached Titanium White, 75 ml tube
- Grumbacher Academy Acrylic - Unbleached Titanium White, 90 ml tube
- Grumbacher Academy Acrylic - Iridescent White, 75 ml tube
- Grumbacher Academy Acrylic - Iridescent White, 90 ml tube
- Grumbacher Academy Acrylic - Mixing White, 75 ml tube