Blockx Artist Oil Color - Zinc White, 35 ml tube

Oil Color

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  • Blick Art Materials
    $15.40 USDShop
    Recorded Oct 21, 2026, 9:38 AM UTC

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Product details
Size
35 ml
Blick SKU
01574-1030
About this product range
  • Legendary professional-quality oil colors
  • Majority of range is mono-pigment
  • High pigment loads and the finest linseed/poppyseed oils
  • Maximum tint strength and lightfastness
  • Stone ground for optimal pigment integrity

Family-made in Belgium for over 140 years, Blockx Oil Colors are hand-ground up to four times on slowly rotating stone mills for perfect pigment integrity and the purest possible color experience. This time-honored production method results in a range of luminous, ultra-smooth oil colors that rank among the world’s very best.

Still crafted using Jacques Blockx’s original formulas, maximum concentrations of the purest pigments guarantee unparalleled brilliance. Iron oxides, earths, and blacks are ground with linseed oil — the rest of the range is ground with non-yellowing poppyseed oil, which results in noticeably brighter, more intense color and cleaner mixtures.

Entirely free of additives or fillers, Blockx Oil Colors carry the highest possible lightfastness ratings. The range consists primarily of single-pigment colors, and each is meticulously tested to uphold the legendary quality that has attracted artists like René Magritte, Salvador Dalí, and Frank Stella. Historical pigments — including Vermilion, Naples Yellow (Light and Dark), and Lapis Lazuli — expand the range for those seeking timeless hues.

An investment in Blockx means investing in the very finest materials for your art, safeguarding its integrity for generations to come.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Zinc White

Pigment code
PW4
Type
inorganic
Chemical name
zinc(II)-oxide
Chemical formula
ZnO
Properties
Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
Permanence
Zinc White has great permanence and lightfastness.
Description
Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.

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