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Daniel Smith Watercolor Stick - Quinacridone Sienna

Watercolor Stick

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$9.93

Blick Art Materials · recorded Oct 21, 2026, 2:03 PM UTC

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Product details
Blick SKU
01778-1270
About this product range
  • Professional quality
  • Handmade with pure pigments and gum arabic
  • 62 brilliant, lightfast colors
  • Draw, paint, and blend—wet or dry
  • Perfect for travel and plein air

Like a pan in your hand, Daniel Smith Extra Fine Watercolor Sticks deliver pure, professional watercolor in a totally portable, all-in-one format. These sticks are shaped by hand using the same premium pigments and gum arabic binder as Daniel Smith’s classic watercolors, so you get vibrant, lightfast color without any waxes or oils.

Activate the stick with water, draw directly on wet or dry paper, or pick up color with a brush—just like a pan. Draw bold lines that blend but don’t easily lift, define contours, or go loose with washes and blends right on the page. With 62 brilliant shades, every stick offers a flexible, compact way to sketch, paint, and layer wherever inspiration strikes. Perfect for studio, plein air, or travel.

Made in Seattle, Washington.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Quinacridone Gold

Pigment code
PO48
Type
organic, quinacridone
Chemical formula
C20H12N2O2 or C20H10N2O4
Properties
Quinacridone Gold is a high performance pigment. It lacks brightness and cleanliness in tints, and it may disperse unevenly. It has an average drying time. Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
Permanence
Quinacridone Gold has excellent lightfastness and is considered the most lightfast pigment in its shade range.
Toxicity
Quinacridone gold is not considered toxic. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
History
Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. Quinacridone pigments were first developed as coatings for the automotive industry, but were quickly adopted by artists.
Description
Pigment Orange 48, Quinacridone Orange, Quinacridone Burnt Orange

Nickel Azo Yellow

Pigment code
PY150
Type
inorganic
Chemical name
nickel azomethine yellow
Chemical formula
C30H18Cl2N6NiO4
Properties
Nickel Azo Yellow is a transparent, moderately staining yellow pigment with high tinting strength. It is considered a good color match in botanical and landscape painting for natural gamboge (NY24), a historic yellow pigment with fair to poor lightfastness.
Permanence
Nickel azomethine yellow has excellent lightfastness.
Toxicity
Nickel azo yellow pigment is mildly toxic, and is often labeled as hazardous. Avoid respiratory and skin exposure to pigment dust. It should be disposed of properly with other hazardous wastes, not washed down the sink.
History
Nickel azomethine yellow has been developed as an artist pigment becasue it is a close match for gamboge, a historic yellow.
Description
Gamboge Hue, New Gamboge.

Quinacridone Red

Pigment code
PR209
Type
organic, quinacridone
Properties
Quinacridone Red is a bright, clean red pigment with average drying time. Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
Permanence
Quinacridone Red has excellent permanence and lightfastness.
Toxicity
Quinacridone Red has no known acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
History
Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. Quinacridone pigments were first developed as coatings for the automotive industry, but were quickly adopted by artists.

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