ART SUPPLIES WORTH STASHING.
One raccoon. Very good taste.
Supplies
Taking a look on the shelf…
FIELD NOTES / MEET YOUR SUPPLY SCOUT
A collector.
Not a gatekeeper.
Snag has a nose for art supplies and no use for pretend bargains. He scouts out the materials you want, with a notebook that tells you what we actually know.
Rummage the shelfTHE SCOUT’S CODE
Small paws.
Clear ground rules.
- 01
Keep the source.
Real retailer listings. Exact products and variants. A missing price stays missing.
- 02
Show the evidence.
Undated imports are catalog snapshots, not live prices. Dated history begins with a successful retailer check.
- 03
Never invent the drop.
One checked price is one observation, not a trend. Undated snapshots never become price drops or target alerts.
Your ArtSnag account
Snag’s Finds
Tools, color and paper, gathered by the way you like to make. Editorial selections, not a discount ranking.
Daniel Smith Extra Fine Gouache - King's Royal Blue, 15 ml
Extra Fine Gouache
Recorded retailer price · not live
$14.57
Blick Art Materials · recorded 2026-10-21T09:20:57.968309000Z
Price tracking and alerts are coming soon. Saving an item does not start monitoring.
Product details
- Size
- 15 ml
- Blick SKU
- 00908-5052
About this product range
Richly pigmented to produce a pure, opaque matte finish, Daniel Smith Extra Fine Gouache Tubes are artist-grade, waterbased gouache colors offering professional performance and outstanding lightfastness. High concentrations of the same premium pigments and pure gum arabic as Daniel Smith Extra Fine Watercolors result in optimal density and opacity without whites or other fillers. 17 of the line’s 22 richly saturated colors are formulated with a single pigment for clean color mixtures, and every color in the range offers exceptional lightfastness.
Wonderful on both light and dark surfaces, these professional gouache colors allow for a full range of lifting and staining techniques. Apply colors as mass tone straight from the tube for rich, full-bodied solids with single brushstrokes or temper colors smoothly with water to create softer lines and hazy layers.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Ultramarine [Blue]
- Pigment code
- PB29
- Type
- inorganic
- Chemical name
- complex silicate of sodium and aluminum with sulfur
- Chemical formula
- Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
- Properties
- Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
- Permanence
- Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
- Toxicity
- Ultramarine has no significant hazards.
- History
- The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
- Description
- Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.
Phthalo Blue
- Pigment code
- PB15
- Type
- organic
- Chemical name
- copper phthalocyanine
- Chemical formula
- C32H16CuN8
- Properties
- Phthalo Blues are pure and clean primary blues with superior covering power. They have a very high tinting strength and tend to overwhelm other pigments, but if color strength can be controlled, they make predictable mixed colors. In oil form, blues are very deep and slow drying. When mixed with other colors or if chlorine is added, Phthalo Blue quickly tends towards green. When using alone, mix with some white, as Phthalo Blue can be semi-transparent and almost black on its own. It is among the most compatible of modern colors with mineral colors and is considered more reliable than Prussian Blue, while sharing the same physical and color properties. Phthalo Blue is a good color for glazing.
- Permanence
- Phthalo Blues are completely lightfast and stable and are permanent for all paint uses. They are currently used in inks, coatings, and many plastics due to their stability and are considered a standard pigment in printing ink and the packaging industry.
- Toxicity
- Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls).
- History
- Developed by chemists using the trade name Monastral Blue, the organic blue dyestuff now known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark color was observed in a kettle where a dye was being made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.
- Description
- Bocour Blue, Cyan Blue, Helio Blue, Heliogen Blue, Intense Blue, Monastral Blue, Phthalocyanine Blue, Rembrandt Blue, Thalo Blue, Winsor Blue, Phthalo Blue (RS).
Zinc White
- Pigment code
- PW4
- Type
- inorganic
- Chemical name
- zinc(II)-oxide
- Chemical formula
- ZnO
- Properties
- Zinc White is the coolest white, and it has a cold, clean masstone and a slightly bluish tint. It has less hiding power and is more transparent than other whites. It dries slowly and is good for painting wet into wet and for glazing and scumbling. Zinc White is neither as opaque nor as heavy as Lead White, its covering power is not as good, and it takes much longer to dry. However, it does not blacken when exposed to sulfur in the air as Lead White does. It is very valuable for making tints with other colors. Unmixed Zinc White dries to a brittle and dry paint film that may crack over the years, so it is not good for frescoing. It is more transparent in acrylic form than Titanium White and is the most commonly used white with gouache. Chinese White is a version of Zinc White appropriate for opaque watercolor techniques.
- Permanence
- Zinc White has great permanence and lightfastness.
- Description
- Chinese White, French White, Permanent White, Silver White, Snow White, Zinc Oxide.
Related supplies
- Daniel Smith Extra Fine Gouache - Phthalo Blue (Green Shade), 15 ml
- Daniel Smith Extra Fine Gouache - Cerulean Blue, 15 ml
- Daniel Smith Extra Fine Gouache - Prussian Blue, 15 ml Tube
- Daniel Smith Extra Fine Gouache - Ultramarine Blue, 15 ml Tube
- Daniel Smith Extra Fine Gouache - Cobalt Blue, 15 ml Tube
- Daniel Smith Extra Fine Gouache - Cobalt Teal Blue, 15 ml Tube
- Daniel Smith Extra Fine Gouache - Indanthrone Blue, 15 ml
- Daniel Smith Extra Fine Gouache - Phthalo Blue Turquoise, 15 ml
- Daniel Smith Extra Fine Gouache - Cerulean Blue Chromium, 15 ml
- Daniel Smith Extra Fine Gouache - Iridescent Electric Blue, 15 ml Tube
- Daniel Smith Extra Fine Gouache - Phthalo Green (Blue Shade), 15 ml Tube
- Daniel Smith Extra Fine Gouache - Carmine, 15 ml Tube