
Product details
- Size
- 15 ml
- Blick SKU
- 00817-5220
About this product range
Schmincke Horadam Gouache is more than just opaque watercolor. Since no white is added to Horadam Gouche to artifically boost its covering power, it can create crisp color blends like no other gouache. Of the 48 colors, all but 8 are based on a single pigment.
Like Horadam Watercolors, colors thin with water and are easily rewetted if left to dry on the palette. Horadam Gouache is so finely ground, it can even be used for 0.15 mm airbrush work.
Many other brands of gouache are "designer" gouaches, with an emphasis on accurate pre-mixed colors for use by the designer. By contrast, Horadam is a "fine artist" gouache, with an emphsis on providing the classic range of pigments as pure, single-pigment colors.
Pigment information
General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.
Prussian Blue
- Pigment code
- PB27
- Type
- inorganic
- Chemical name
- ferric ferrocyanide/iron(III)-hexacyanoferrate(II)
- Chemical formula
- Fe7(CN)18(H2O)x or C6FeN6H4N
- Properties
- Prussian Blue is a semi-transparent, deep cyan-blue with a greenish undertone and a very high tinting strength unequaled by most pigments. It is similar to Phthalo Blue unless mixed with white, when it gives up intensity and becomes smoky. It can behave erratically and less reliably in oil and watercolor form depending on its manufacture. For permanent painting Phthalo Blue is considered a more reliable choice.
- Permanence
- Prussian Blue is lightfast and permanent in all techniques except for fresco. When mixed with Zinc White in watercolor or tempera form, it fades upon exposure to light and completely regains its chromatic strength in the dark. Modern manufacturing techniques have made this tendency less of an issue in recent years
- Toxicity
- Prussian Blue is moderately toxic if ingested. It will emit toxic hydrogen cyanide gas if heated, exposed to ultraviolet radiation, or treated with acid.
- History
- "The first of the modern pigments," Prussian Blue is the first artificial pigment with a known history. It was discovered by accident in 1704 by the Berlin color maker Heinrich Diesbach, who was trying to create a pigment with a red hue by mixing iron sulfate and potash. The potash Diesbach purchased from a local laboratory had been contaminated by animal oil and blood during previous experimentation. The resulting mixture yielded a very pale red that changed to purple and then deep blue when he tried to concentrate it. Since previous blue pigments came from lapis lazuli, an expensive stone, Diesbach’s discovery was extremely important for artists of the time.
- Description
- Berlin Blue, Bronze Blue, Iron Blue, Paris Blue, Paste Blue. Celestial Blue, Monthier Blue and Soluble Blue are varieties of Prussian Blue. Blue Lake is a reduced or let-down variety of Prussian Blue. Chinese Blue, Milori Blue, and Steel Blue are the three highest grades of Prussian Blue.
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