Daniel Smith Extra Fine Watercolor Half Pan - Ultramarine Blue

Watercolor Half Pan

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$7.20

Blick Art Materials · recorded 2026-10-21T11:56:11.450647000Z

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Product details
Blick SKU
01683-5230
About this product range
  • Professional quality
  • Widest color range available on the market
  • Same renowned formula as Daniel Smith tube colors
  • Compact and portable for plein air or travel
  • Hand-poured in the USA

Daniel Smith Watercolor Half Pans and Sets are a tribute to paint craft and color innovation. Made with the same expertly milled, concentrated pigments and pure gum arabic formula as the brand’s professional watercolor tubes, each pan is meticulously hand-poured over several months in Seattle. The result is even pigment dispersion and powerful, responsive color that activates instantly with a wet brush.

With a dazzling range of over 200 colors—including many truly unique pigments found only from Daniel Smith—artists can curate the perfect palette for any style or subject. Every batch is rigorously tested and analyzed to meet and exceed the highest industry standards, so you can trust that your work will stand the test of time.

Pigment information

General reference notes about pigments can describe other media (such as oil). They do not verify this product’s exact formulation or behavior.

Ultramarine [Blue]

Pigment code
PB29
Type
inorganic
Chemical name
complex silicate of sodium and aluminum with sulfur
Chemical formula
Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4
Properties
Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.
Permanence
Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.
Toxicity
Ultramarine has no significant hazards.
History
The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.
Description
Artificial Ultramarine, French Blue, French Ultramarine, Gmelin's Blue, Guimet's Blue, Permanent Blue, Royal Blue, Synthetic Ultramarine. New Blue describes particular shades of Ultramarine. Armenian Blue and Lazuline Blue are names for genuine Lapiz Ultramarine. Sky Blue is a pale tone of Ultramarine.

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